Whats The Matter Here

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  • C
  • D
  • Em
  • G
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Key:
G | That young boy without a name
G | anywhere, I'd know his face. G (Em*) | * If solo acoustic, Em sounds better In the city, than just playing 4 bars of G, but G (Em) | “do as you see fit.” The kid's my favorite. I’ve
C | seen him, seen him.
D G | Oh, I see him every day.
G |
G | I’ve seen him run outside
G looking for a place to hide |
G (Em) | G from his father,
(Em) | the kid half naked made me
C | D say to myself,
G | “Oh, what's the matter here?"
G | I Am... Chorus:
C D tired of the ex-c-u-s-e-s
| G (Em) everybody uses, he's their |
C D | kid, (so) I stay out of
G | it, but..
C D | who gave you the
G (Em) | right to do
C this? Verse:
G We live on Morgan Street, just ten feet between.
(Em) And his mother, I never see her, but her
C screams and curses,
D G I hear them every day.
G
G Threats like: "If you don't mind
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I will beat on your behind,"
(Em) "Slap you, I’ll slap you silly." Made me
C say-ay-ay-ay,
D G “Oh, what's the matter here?!" I’m.. Chorus 2:
C D tired of the exc-u-s-e-s
G (Em) everybody uses, he's your
C D G kid, (so) do as you see fit, but
C D G get this through that I
(Em) don't approve of what you
C D G did to your own flesh and blood. Solo: (over) G |C D | Chorus 3:
C D G I'm tired of the excuses
(Em) everybody uses, he's your
C D G kid, so do as you see fit, but
C D G get this through that I don't
(Em) approve of what you
C D G did to your own flesh and blood. Interlude:
Em G C "If you don't sit in your
G chair straight, I’ll
Em G C take this belt from around
G my waist and
Em G C don't you think that I
G won't use it!" (chorus chords continued through end)
C D G Answer me and take your time,
(Em) what could be the awful crime he
C D G could do at so young an age? And if I’m the
C D G only witness to your madness
(Em) offer me some words to balance
C D G out what I see and what I hear. Ohhh, these
C D G cold and cruel
(Em) things that you do, I sup(pose)
C D G you do them because he belongs to you. And, in-st(ead)
C D of love and the feeling of
G (Em) warmth, you offer him these cuts and sores that
C D G don’t heal with time or with age.
C D G And, I want to say I want to (switch to chorus chords played like verse endings)
C say-ay-ay-ay
D G “Oh, what’s the matter here?!” But, I don’t dare
C say-ay-ay-ay
D G “What’s the matter here?!” No, I don’t dare
C say-ay-ayyyyyyyy-ayyyyyyyyyy D G (1 strum, let ring) -AYYYYY! it. (End) Notes: I am shocked that this song isn’t available on major tab sites, so here’s a version to get you started. This song can be played more accurately with a Capo on the 2nd fret. However, I think it sounds great if played lower (matches my male vocals way better anyway). Also, I found myself getting lazy and playing the C as a Cadd9 (x32030) and the Em as Em7 (022030). Since the other chords are D (x00232) and G (320033), this makes sense in switching as you can just leave you ring finger on the B (2nd) string the entire time. Similarly, the Em can be played as Em7 for the same reason. I made up the “interlude” section from memory without the CD to verify--so you may be able to workout a better chord progression. If you do, please share the information. Chords - suggested variants in parens “()”:
G = 320003 (320033) D = x00232 C(add9) = x32010 (x32033 or x32030) Em(7) = 022000 (022033 or 022030)
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