Intro GTR 1 E|-----------------| B|-----------------| G|-----------------| D|-----------------| |-6h7-6h7-6h7-6h7-| |-6h7-6h7-6h7-6h7-| Bass fills for guitar. (something like this) E|-------|--------|-------------| B|-------|--------|-------------| G|-------|--------|-------------| D|-------|--------|-------------| A|-------|--------|-------------| |-10-10-|-10-10b-|-10-12b14r12-| Riff 1 E|------------------| B|------------------| G|------------------| |-5-7-7-5-5-7-8-10-| |-5-7-7-5-5-7-8-10-| |-5-7-7-5-5-7-8-10-| Riff 2 GTR 1 E|-------------| B|-------------| G|-------------| D|-------------| A|-------------| |-67-67-67-67-| pm.. .. .. .. GTR 2 |------------------| |-<5><5><5><5>...--| E|------------------| B|------------------| G|------------------| |------------------| Riff 3 E|-----------------------------------| B|-----------------------------------| G|o---------------------------------o| |o-7-7-7-8-8-8-7-7-7-5-7-8-7-5-5-5-o| E|--7-7-7-8-8-8-7-7-7-5-7-8-7-5-5-5--| B|--7-7-7-8-8-8-7-7-7-5-7-8-7-5-5-5--| end with.. E|-----------------------------| B|-----------------------------| G|-----------------------------| |-7-7-7-8-8-8-7-7-7-5-7-8-7-5-| |-7-7-7-8-8-8-7-7-7-5-7-8-7-5-| |-7-7-7-8-8-8-7-7-7-5-7-8-7-5-| Riff 4 A. E|--------------------0---| B|--------------------6---| G|--------------------8b*-| D|------------------------| A|------------------------| E|-0-0-000-0-110-0000-----| (*=only bend 8 up, to make it sound like 6 on string Bb) B. E|-----------------------| B|-----------------------| G|--------------------13-| D|--------------------x--| A|--------------------11-| E|-0-0-000-0-110-0000----| C. E|--------------------------| B|--------------------------| G|--------------------------| D|-------------------777777-| A|-------------------777777-| |-0-0-000-0-110-000-777777-| pm ...... Order of these go (A,B,A,C) then (A,C) 2nd time. Riff 5 E|-------------------|-----| B|-------------------|-----| G|o-----------------o|-----| |o-0-2-1-0-1-2-1-0-o|-1p0-| E|--0-2-1-0-1-2-1-0--|-1p0-| B|--0-2-1-0-1-2-1-0--|-1p0-| pm. . . . . . . .