Tables And Chairs

Andrew Bird

  • A
  • A#
  • Bm
  • D
  • Em
  • G
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Tono:
Tabbed by: rvaen Email: * the glory of this song is not in the guitar, but in the singing along. beautiful, song. Of course, I recommend listening to the song to make sense of this tab. Nothing for listening to the artist. Tuning: standard
riff 1 D e|---------------2---------------- B|--------------3----------------- G|-------------2------------------ D|--4--4--5--0-------------------- A|-------------------------------- E|-------------------------------- riff 2 Em G e|-------------------------------- B|-------------------------------- G|-------------------------------- D|-2-----------0------------------ A|----2------2-------------------- E|------0-3-----------------------
riff 3 D G9 kinda. or Dsus/G
e|---2-----2---------------------- B|---3-----3---------------------- G|---2-----0---------------------- D|-0-------0---------------------- A|-------------------------------- E|-------3------------------------ riff 4 D D A# A e|---2-3-5---2-3-5-6-5-3-2-0-3-2- B|---3-------3------------------- G|------------------------------- D|-0-------0--------------------- A|------------------------------- E|------------------------------- D D A# A e|0-2-3-5-----0-2-3-2-0-----6-5------| B|--3-------3-----------3-2-----2-3--| G|----------2------------------------| D|--0-----0--------------------------| A|-----------------------------------| E|-----------------------------------| Here are the two different progressions that occur after riff 4: D A# A D DM7 Bm G e|-2---0--0---|-2---2---2---3----- B|-3---3--2---|-3---2---3---0----- G|-2---3--2---|-2---2---4---0----- D|-0---3--2---|-0---0---4---0----- A|-----0--0---|---------2---2----- E|--------------------------3----- NOTE: i am unsure of which type of D DM7 Bm G e|-2--2---2--3-------------------- B|-3--3---3--3-------------------- G|-2--2---4--4-------------------- D|-0--0---4--5-------------------- A|----4---2--5-------------------- E|-----------3--------------------
in this scenario, the DM7 is a tad trickier, but sounds better, i think. I wrote out the G as a bar chord because i can't tell from the recording which he uses, they both work equally well. | / slide up | \ slide down | h hammer-on | p pull-off | ~ vibrato | + harmonic | x Mute note [1] if we can call them friends we can call them on red telephones [1] and they won't pretend that they're too busy or they're not alone [2] if we can call them friends we can call [2] holler at 'em down these hallowed halls [2] but we can't let the human factor fail to be a factor at all
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[3] don't don't you worry [3] about the atmosphere or any sudden pressure change [3] 'cause I know that it's starting [3] to get warm in here and things are [3] starting to get strange [3] and did you did you see how [3] all our friends were there drinkin' roses from the can [3] how how I wish I [3] I had talked to them and wished they [3] fit into my plan [riff 4]
D A# and we were tired of
A D being mild
A# A oh so tired of being mild
A# A we were so tired
D I know we're gonna meet someday in
DM7 the crumbled financial institutions of
Bm G this land
D there will be tables and chairs
DM7 Bm pony rides and dancing bears
G there'll even be a band
D 'cause listen after the fall
DM7 there'll be no more countries
Bm G no currencies at all
D we're gonna live on our wits
DM7 throw away survival kits
Bm G trade butterfly knives for adderal
D and that's not all
DM7 woah!
Bm G there will be snacks, there will
D DM7 Bm G there will be snacks! [riff 4]
D A# and we were tired of
A D being mild
A# A oh so tired of being mild
A# A we were so tired
D DM7 So don't you
Bm don't you worry
G about the atmosphere ===============================================================================
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Composición: Andrew Bird

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