Retribution For The Dead
Autopsy
Continúa después del anuncio
Tono:
"Retribution for the Dead" MCD (c) 1991 Vile Music -Transcribed by Chris Myhre. -|Version 1.1 Mar 2000 (ver 1.0b Oct 97)-For questions, corrections, etc email me: * -For best print edit the left/right margins in page setup to make the tab fit the sheet-Tuning: 1.75 steps down -Notation legend: / = sli -|(somewhere between C and C#) -|de up; ^ = semitone trill; ~ = vibrato; w = wah-wah;br = half bend and release; * = see note 1>|gtr 1 & 2------------------------------------------------------------------------------- 2>|---------------------------------------------------------------------------------------- 3>|---------------------------------------------------------------------------------------- 4>|--------/9-------8^-------------------------------------------------------/9-------8^--- 5>|2-------------------------8-------9-------5-------8-------3-------2--------------------- 6>|--------------------------6-------7-------3-------6-------1----------------------------- _______________________________________________ pA0 '--------------------------|---- --------------------------|---- --------------------------|---- --------------------------|---- ----8-----4-9-------------|9--- ----6-----2-7-------------|7--- |--------'-pA1----------------'-pA2--------'-------------' |--------'--------------------'------------'-------------' |--------'--------------------'------------'---repeat----' |--------'--------------------'------------'-pA1-pA0-pA1-' |4---3---'5-6-9-8---8-8-8-7-8-'9-----9-9-9-'-------------' |2---1---'3-4-7-6---6-6-6-5-6-'7-----7-7-7-'-------------'Continúa después del anuncio'-------|w/lead 1--------------|------------------------------------------------------x2 '------------------------------|-------------------------------------------------------' '------------------------------|-------------------------------------------------------' '------------------------------|4------------------------------------------------------' '9---4---3---------------------|2----4---3---------------2------4------3---------------' '7---2---1---------------------|-----2---1---------------0------2------1---------------' lead 1 (Although I know this lead is a bit inaccurate (partly because of the not so practical tuning), I chose to include it to at least give you an idea of what to play)|------------------------------ |------------------------12---- |11------10-----------------11- |---12-9----11-8-9-12---------- |---------------------8-------- |------------------------------ * * |------------------------------11-------------13br--11-13-- |-------16t---------------11---13pb-(14)br----------------- |---12w-12t-----11---12-----------*------------------------ |12-----13t------------------------------------------------ |---------------------------------------------------------- |---------------------------------------------------------- * ----------------------13pb-- --12-14-15-12--------------- ---------------------------- ----------------15~--------- ---------------------------- ---------------------------- |(14)br-(14)br---------13br--11--/13-----| * prebend half-step, |----------------------------------------| then half-bend two |----------------------------------------| times (up to 15) |----------------------------------------| and release down to |----------------------------------------| original note, then |----------------------------------------| up whole step'-----------|---------------'----------------| * (first note, above lead): prebend half- '-----------|---------------'----------------| step, then half-bend and release down '-----------|----repeat-----'----------------| to original note then half-step up '4----------|--pA1-pA2-pA1--'----------------| (I'm not sure if this is what's actually '2----4---3-|---------------'9---4---3-------| being done) '-----2---1-|---------------'7---2---1-------||w/lead 2 2nd time-------------- |------------------------------- |------------------------------- |----2-------1---3-------------- |2-------3-----------4---3~----- |0----------------------------4- |-x3------------------------------ |--'------------------------------ |--'------------------------------ |--'----2---0---1---3------------- |--'2-------------------4---3---6- |--'0---------------------------4- |--------------| |--------------| |--------------| |--------------| |6-4---6-6-4---| |4-2---4-4-2---| |lead 2--------------------------------------------------------------------------| |---------------------------- |-----------------10---12~--- |----9---7---10-------------- |---------------------------- |7--------------------------- |----------------------------------------------------| |----------------------------------------------------| |10~---10~-------9---10---8---10---------------------| |----------------------------------8---10~---10~-----| |------------7-------------------------------------7-| (w/lead) ___ __x7 x4 |pB-------|1..|2..|pC---------- |-----------------|------------ |-----------------|------------ |-----------------|------------ |3-3--3--3-----4--|3-3-6-5-4--- |1-1--1--1-2~--2--|1-1-4-3-2--- |--------|--------x3---------|----- |--------|---------|---------|----- |--------|repeat pB|repeat pC|----- |--------|---------|---------|----- |6-5-4---|---------|---------|3---- |4-3-2---|---------|---------|1---- -----'* gtr 2----| -----'*| -----'-----------| -----'*--*--*----| 2----'6~-5~-4~---| 0----'4~-3~-2~---|___________________________ riff B | ____ __x4|(w/lead)-------------x4------- |----------------------|------- |----------------------|------- |----------------------|------- |3--3-3-3-3-3-3-3-4--4-|3-3--33 |1--1-1-1-1-1-1-1-2--2-|1-1--11 |x6-------x2-------x4--(w/lead)------|1,2 |3,4|------|----| |-'--------'--------|-------------------------|------|----| |-'--------'--------|-------------------------|repeat|----| |-'--------'--------|-------------------------|riff B|----| |-'4-4--44-'2-2--22-|3--3-3-3-3-3-3-3-4--4----|------|3---| |-'2-2--22-'0-0--00-|1--1-1-1-1-1-1-1-2--2--2~|------|1---|
Composición: Chris Reifert, Danny Coralles, Eric Cutler y Steve Cutler
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