Fossa

A#m                     
It’s hard to see when the 
  F#
streetlights are out
A#m                     F#       
I’ll get a gas lamp and visit the
                A#m
 house that you grew up in
    F#
I’m burning it down
A#m                      F#
I’ve got the answers and you’ll be 
my kill
A#m                F#
I’m sorry you’re a victim of my will
A#m               F#         
Now my rooms been bleached, I’m 
              A#m
burning it down

A#m

[Pre-Chorus]
N.C.
There really is no sense in 
diffusing all the tension
N.C.
when it’s all we have, it’s all we 
have right now


[Chorus]
A#m    C#        F#
Do you feel low, are you feeling 
low?
A#m         G#            F#
(Are you still listening? Are you 
still listening?)
A#m    C#        F#
To the sad songs on the radio?
A#m      G#               F#    
(Are you still listening? Are 
                    A#m
you still listening?)


Continúa después del anuncio
[Verse 2]
F#                          A#m
Well can you taste the gin? Well I 
can’t taste anything
A#m
I’m obsessed with myself
A#m                               
I’ll put my picture on my shelf 
  D#m                           
and I won’t look at someone else 
    D#
I'll smash the frame this evening

A#m
A letter that I wrote you, a cobweb 
on your door
A#m
A broken plastic window pane lying 
on the kitchen floor
A#m
A broken bloodied mirror that’s 
hanging in your hall
A#m
It’s been lying to your face since 
the day that you were born


[Chorus]
A#m    C#        F#
Do you feel low, are you feeling 
low?
A#m         G#            F#
(Are you still listening? Are you 
still listening?)
A#m    C#        F#
To the sad songs on the radio?
A#m      G#               F#    
(Are you still listening? Are 
                    A#m
you still listening?)


[Bridge]
F#              G#               
I’m sorry those numbers are 
       A#m
getting you down
                      C#       
I care more about the lines you 
wrote than the ones that make your 
 F#
frown
                G#                 
I’m sorry those numbers are getting
     A
 you down
                      A#m      
I care more about the lines you 
                G#                 
wrote than the ones that make your 
 A#m
frown


[Refrain]
N.C.
There really is no sense in 
diffusing all the tension
N.C.
when it’s all we have, it’s all we 
have right now

[Interlude]
A#m C# F# A#m G# F# x2

[Otro]
C#                              
When all I’m asking you is am I on 
F#
your mind today?
Or since I’ve been away has it got 
C#
worse?
                               F#
And all I’m asking you is am I on 
your mind today?
F#
Or since I’ve been away has it got 
worse?