Love Is A Shield
Camouflage
- Am
- Bb
- C
- D#3
- Dm
- F
- G#
Continues after the ad
Key:
#t2#E|E|----------------------------------------------------------------------------||#/t2#"love is a shield" - camouflage E|E|------------------------------ E|---------------------------------- E|------------||standard tuningDm C Bb Am E|---1---|---0---|---1---|---0---| B|---3---|---1---|---3---|---1---| G|---2---|---0---|---3---|---2---| D|---0---|---2---|---3---|---2---| A|---0---|---3---|---1---|---0---| E|---x---|---x---|---1---|---0---| F G# D# E|---1---|---4---|---6---| B|---1---|---4---|---8---| G|---2---|---5---|---8---| D|---3---|---6---|---8---| A|---3---|---6---|---6---| E|---1---|---4---|---6---|[intro] Dm - C - Bb - Am | | [solo 1] | | [chorus_start] | || Dm | Love is a shield, to hide behind, love is a field to grow inside,| C Bb | and when I sometimes closeAm my eyes, my mind starts spinning round.| Dm | Love is a baby in a mother's arms, love is your breath which makes me warm,| C Bb | and when I sometimes closeAm my eyes, my mind starts spinning round. | | [chorus_end] | | [verse 1_start] |Continues after the ad|| Dm F | There is a feeling flowsG# through me,| D# | when you are near, you makeDm it real| F | and we could live for thisC ideal. || Dm F | And all the pictures we runG# through,| D# | seem to be perfect, seem toDm be true.| F | But nothing is quiteG# Bb forever, especially stayingC together. | | [verse 1_end] | | [chorus] | | [solo 2] | | [chorus] | | [verse 2_start] | || Dm F | I don't care now what comesG# along,| D# | what counts is us, no matterDm F what will be,| C | just this naivety.| Dm F | The changing words we'reG# taking in,| D# | seem to be perfect, seem toDm win.| F | But nothing is quiteG# Bb forever, especially stayingC together. | | [verse 2_end] | | [chorus] | | [solo 3] | | [_end] | | =============================================== | tabbed by jan | comments, solos, correctures ... | | [ batzen.dreck@gmx.de ] ===============================================
Composition: Heiko Maile, Marcus Meyn, Oliver Kreyssig, and Peter Godwin
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