Fewer Broken Pieces

G#dim7:    4-x-3-4-x-1--|
Fmaj7/c:   1-3-3-2-1-0--| (play the 
bass note w/ your thumb. He slightly
 embellishes it
pulling off and on with his first 
and second finger)

VERSE 1:

C/G             F            
If you make a reference to some 
    Am                Em
trouble, that you know
F                G         
Can it help you keep it under 
         C/G
control?
E                  Am         Em
Or should I really re---consider
   F                  C/G
My reasons for going solo
Dm                  Em           
David byrne on Bob Costas, puts 
   G
it pretty well
   G#dim7
But I put it better


CHORUS:
Continues after the ad
Am      C/G      Fmaj7/C
I still run the show
      C/G     G
Don't you forget it
     Am     C/G      Fmaj7/C   F
So I had to let some go
      C/G          G
Don't think I don't regret it
        Am  C/G  Fmaj7/C         
Cause I do and I don't think I'm 
C          G
better off alone


INTERLUDE:

A|:-5-5-3-3-3-3-3-3-5-5-3-3-3-3-3-3-7-7-5-5-5-5-5-5-7-7-5-5-5-5-5-5-|
@E$|:-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-| x2

-| x2

 F                       G
Man I could have, had a, big sound
 F                       G        
But I love to, let my, friends 
  G#dim7
down

Fmaj7/C      C/G           Dm   
Em   Am
Fmaj7/C      C/G           Dm   

Em   G

VERSE 2:
Fmaj7/C      C/G         Dm    
Fewer moving parts means fewer 
Em    Am
broken pieces
     Fmaj7/C     C/G       Dm     
When every other start requires a 
Em       G
brand new theosis
Fmaj7/C         C/G         
One good friend remarks with a 
     G#dim7
rightfully angry:
 Am    C/G   Fmaj7/C             
"Jesus dude! None of us know what
     C/G
 to do with you"
         Dm             Em
To which I in my pride responded
           G
"I've got news for you:
G#dim7
None of you have to, cause"