DAm7CdimGCdimGAm7GCdimGGdim
She's not so good in a crowd, but when you get her a - lone,
D7Am7CdimD7
You'd be sur - prised;
Am7D7Am7DAm7D7Am7D7F#7
She is - n't much at a dance, but when I take her home,
GD7CdimG
You'd be sur - prised.
G7Am7CAm7DCm
She does - n't look like much of a lov - er,
Cm7/5-GB7CdimE7
But don't judge a book by it's cov - er;
AEm7AEm7ACdimA7
She's got the face of an an - gel but
DAm7D9Am7D9Am7D7
There's a dev - il in her eye.
DAm7CdimGCdimGAm7GCdimGGdim
She's such a del - i - cate thing but when we start to squeeze,
D7Am7CdimD7
You'd be sur - prised
Am7D7Am7DAm7D7Am7D7F#7
She's does - n't look ver - y strong and tho' she's weak in the knees,
GD7CdimG
You'd be sur - prised.
CAm7Em7Cm
At a par - ty or at a ball,
Cm7/5-GB7E7Cdim
I've got to ad - mit she's noth - ing at all,
E7DAm7D7CdimGD+BbmD7
But in a Mor - ris chair, you'd be sur - prised.
DAm7CdimGCdimGAm7GCdimGGdim
She's not so good in the house, but on a bench in the park,
D7Am7CdimD7
You'd be sur - prised;
Am7D7Am7DAm7D7Am7D7F#7
She is - n't much in the light but when she gets in the dark,
GD7CdimG
You'd be sur - prised.
G7Am7CAm7DCm
I know she looks as slow as the E - rie,
Cm7/5-GB7CdimE7
You don't know the half of it, dear - ie;
AEm7AEm7ACdimA7
She looks as cold as an Es - ki - mo,
DAm7D9Am7D9Am7D7
But there's fi - re in her eyes.
DAm7CdimGCdimGAm7GCdimGGdim
She does - n't say ver - y much, but when she starts in to speak,
D7Am7CdimD7
You'd be sur - prised;
Am7D7Am7DAm7D7Am7D7F#7
She's not so good at the start, but at the end of the week,
GD7CdimG
You'd be sur - prised.
CAm7Em7Cm
On a street - car or in a train,
Cm7/5-GB7E7Cdim
You'd think she was born with - out an - brain,
E7 D Am7 D7 Cdim G Am7 (alt) Cdim G
But in a tax - i - cab, you'd be sur - prised.