E|E|-------------------------------------------------------------------------------||
                        Real Motherfuckin G's - Eazy-E
E|E|-------------------------------------------------------------------------------||
Tabbed by: Bryan Reznicek

Tuning: Standard (E-B-G-D-A-E) high->low)

Key Legend:
(#) - Dead Note (x is also a dead note)
 s  - Slide
 h  - Hammer-on
 p  - Pull-off


Intro
E|-----------|
B|-----------|
G|-------(7)-| Rake this part
D|-----(7)---|
A|---(5)-----|
E|-(5)-------|

Rhythm*
E|-----------|
B|-----------|
G|-----7~~-7-|
D|-----7~~-7-|
A|-x-x-------|
E|-----------|
      ^   v


Chorus
E|-----------------------------------|
B|-0---6h8p6h8p6---8h10p8---10h12p10-| Synth part for guitar
G|-----------------------------------|
D|-----------------------------------|
A|-----------------------------------|
E|-----------------------------------|
 p.m.

Bass Part
E|------------------------------|
B|------------------------------| Bass part played simulatoneously
G|------------------------------| with above synth
D|------------------------------|
A|-2222-0-2-3s5-----------------|
E|---------------0001-223-445---|

Pre-Chorus (~2:26)
E|---------------------------------|
B|-(0)---s10~~---------(0)---s10~~-| Played before the chorus
G|---------------------------------|
D|---------------------------------|
A|---------------------------------|
E|---------------------------------|


And this is my interpretation of the D.J. in the background.
You have to experiment with it but it's got a steady rhythm
to it. When I did this I held my fret hand over the second
fret, but not pushing down on the strings so I was playing
dead notes. I held my picking held at like a 45' angle and
just brushed my hand against the strings to make a more
percussive noise. It sounds very cool if you layer it with
other tracks.

|-xxxxxxxxxxxxxxxx-|
|-xxxxxxxxxxxxxxxx-|
E|---xx--xx--xx--xx-|
B|-xx--xx--xx--xx---|
G|------------------|
D|------------------|