Real Motherfuckin Gs
Eazy-E
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Key:
E|E|------------------------------ E|---------------------------------- E|---------------|| Real Motherfuckin G's - Eazy-E E|E|------------------------------ E|---------------------------------- E|---------------||Tabbed by: Bryan Reznicek Tuning: Standard (E-B-G-D-A-E) high->low) Key Legend: (#) - Dead Note (x is also a dead note) s - Slide h - Hammer-on p - Pull-offContinues after the adIntro E|-----------| B|-----------| G|-------(7)-| Rake this part D|-----(7)---| A|---(5)-----| E|-(5)-------| Rhythm* E|-----------| B|-----------| G|-----7~~-7-| D|-----7~~-7-| A|-x-x-------| E|-----------|^ vChorus E|-------------------------- B|-0---6h8p6h8p6---8h10p8--- G|-------------------------- D|-------------------------- A|-------------------------- E|-------------------------- p.m. E|---------| B|10h12p10-| Synth part for guitar G|---------| D|---------| A|---------| E|---------| Bass Part E|------------------------------| B|------------------------------| G|------------------------------| D|------------------------------| A|-2222-0-2-3s5-----------------| E|---------------0001-223-445---| E| B|Bass part played simulatoneously G|with above synth D| A| E| Pre-Chorus (~2:26) E|--------------------------- B|-(0)---s10~~---------(0)--- G|--------------------------- D|--------------------------- A|--------------------------- E|--------------------------- E|------| B|s10~~-| Played before the chorus G|------| D|------| A|------| E|------|And this is my interpretation of the D.J. in the background. You have to experiment with it but it's got a steady rhythm to it. When I did this I held my fret hand over the second fret, but not pushing down on the strings so I was playing dead notes. I held my picking held at like a 45' angle and just brushed my hand against the strings to make a more percussive noise. It sounds very cool if you layer it with other tracks. |-xxxxxxxxxxxxxxxx-| |-xxxxxxxxxxxxxxxx-|E|---xx--xx--xx--xx-| B|-xx--xx--xx--xx---| G|------------------| D|------------------|