Brain Dead

Exodus

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Pleasures of the Flesh Transcribed by Mike Kimball, Jan 2002 [*] [*] As with all guitar tablature, a mono-spaced font (e.g. Courier or Monaco) is required to display properly...
Fig. 1 |-------------------------------- |-------------------------------- |------4------------------------- |--2---2---3---2-----5-----0-2-2- |--2-------1---0-2---3-----0-2-2- |--0-0---0---0---0-0---0-0------- ||---------------------------------- ||---------------------------------- ||-----4---------------------------- ||0-2--2---3---2---------------0-1-- ||0-2------1---0-2-------------0-1-- ||--0-0--0-------0-0-0-0-0-0-0------ Fig. 2 |-------------------------------- |-------------------------------- |-------------------------------- |--3---2-------3---2-------3---3- |--1---0-2-----1---0-2-----1-0-1- |--------0---0-------0---0------- ||--- ||--- ||--- ||5-- ||3-- ||---
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Fig. 3 |-------------------------------- |-------------------------------- |-------------------------------- |--------------------------7/9--- |--7---8-----5-----7---8---5/7--- |--5---6-0-0-3p0-0-5---6-0-----0- ||---------------------------------- ||---------------------------------- ||---------------------------------- ||---------------------------------- ||--7---8-----5-----2-----2-----2--- ||0-5---6-0-0-3p0-0-0-0-0-0-0-0-0-0- -- -- -- -- 2- 0-
Fig. 4 [1 & 3]
|-------------------------------- |-------------------------------- |-------------------------------- |--3---2-------3---2-------3---3- |--1---0-2-----1---0-2-----1-0-1- |--------0---0-------0---0------- ||---|------------------------------ ||---|------------------------------ ||---|------------------------------ ||5--|--7/9------------------------- ||3--|--5/7---2-----2-----2--------- ||---|------0-0-0-0-0-0-0-0-0-0-0-0- ----- ----- ----- ----- 2---- 0-0-- |-------------------------------- |-------------------------------- |-------------------------------- |--3---2-------3---2-------3---3- |--1---0-2-----1---0-2-----1-0-1- |--------0---0-------0---0------- ||---|------------------------------ ||---|------------------------------ ||---|--------4--------------------- ||5--|--0-2---2--------------------- ||3--|--0-2---------2-----2--------- ||---|------0---0-0-0-0-0-0-0-0-0-0- ----- ----- ----- ----- 2---- 0-0-- |-------------------------------- |-------------------------------- |-------------------------------- |--3---2-------3---2-------3---3- |--1---0-2-----1---0-2-----1-0-1- |--------0---0-------0---0------- ||---|------------------------------ ||---|------------------------------ ||---|------------------------------ ||5--|--3-3-3-2-2-2-------------7--- ||3--|--1-1-1-0-0-0-6-6-6-5-5-5-5--- ||---|--------------4-4-4-3-3-3----- ----- ----- ----- 7---- 5---- -----
Fig. 5 (solo backing) [part 1 = fig. 1]
[part 2] |-------------------------------- |-------------------------------- |-------------------------------- |----------5---------2-----5-4-5- |--4---4---3---2-4---0-----3-2-3- |--2-2-2-2---2-0-2-2---2-2------- ||---------------------------------- ||---------------------------------- ||---------------------------------- ||4-----2---5----------------------- ||2-4---0---3---2-4-------------2-3- ||--2-2---2---2-0-2-2-2-2-2-2-2-0-1- Fig. 6 |--------------------------------- |--------------------------------- |--------------------------------- |--2------------------------------ |--0------------------5----------- |---------------------3----------- ||---------------------------- ||---------------------------- ||---------------------------- ||-------3-2---3---------0-2-- ||-------1-0---1-----5---0-2-- ||---------------0-0-3p0---0--
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