Tobacco Island

Flogging Molly

Continues after the ad
Key:
from the album Within a Mile of Home tabbed by Eric Bonkowski
chorus riff: E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-----------------------------3-- A|------1--1-3-1--1-3-5--5-3-5---- E|--1-3--------------------------- E|----------------------| B|----------------------| G|----------------------| D|--3-5-5-3---5-5-3-----| A|5---------5-----------| E|----------------------| E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-------------------------------- A|--5-3-5--3-1---1-------1--1-3-1- E|-------------3-----1-3---------- E|----------------------| B|----------------------| G|----------------------| D|--------------3---3---| A|-1-3-5--5-3-5---5-----| E|----------------------| E|-------------------------------- B|-------------------------------- G|-------------------------------- D|--5-5-3----5-5-3~--------------- A|--------5-----------5-3-1-3-5-3- E|-------------------------------- E|---| B|---| G|---| D|---| A|1--| E|---|
Bb And to hell we must sail For the Shores of sweet Barbados
Gm Where the sugar cane grows taller Than the god we once believed in
Bb Till the butcher and his crown Raped the land we used to sleep in
Gm Now tomorrow chimes of ghostly
F crimes Gm N.C.
Gm 'Twas 1659 forgotten now for sure
Bb They dragged us from our homeland With the musket and their gun
Gm Cromwell and his roundheads Battered all we know
Bb Shackled hopes of freedom We're now but stolen goods
F Darken the horizon Blackened from the sun
Am This rotten cage of Bridgetown
C Is where I now belong
Bb And to hell we must sail For the Shores of sweet Barbados
Gm Where the sugar cane grows taller Than the god we once believed in
Bb Till the butcher and his crown Raped the land we used to sleep in
Gm Now tomorrow chimes of ghostly
F crimes Gm N.C.
Gm Red leg down a peg Blistered burns the soul
Bb The floggings they're a plenty But reasons there are none
Gm Our backs belong to landlords
Continues after the ad
Where branded is there name
Bb Paid for with ten shillings Cheap labor never breaks
F The silver moon is shinin' Cools the copper blood
Am Where the livin' meet the dead
C And together dance as one
Bb And to hell we must sail For the Shores of sweet Barbados
Gm Where the sugar cane grows taller Than the god we once believed in
Bb Till the butcher and his crown Raped the land we used to sleep in
Gm Now tomorrow chimes of ghostly
F crimes Gm N.C.
Bb Gm Bb Ag-ony, will you cleanse this
Gm misery?
Bb Gm For it's never again I'll breathe
F The air of home
Bb Gm From this sandy edge
Bb Gm The rolling sea breaks my revenge
Bb Gm With each whisper a thousand waves
F I hear roar I'm coming home - Instrumental break - x8 each time break is played, it’s over one chord played in this order: Gm, F, Gm, F, Gm, F, Gm, Bb (one chord for each time)
E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-----5-5p3---3------------------ A|-----------5---5p3/1p0---0-1---- E|--3--------------------3------3- E|----------------------| B|----------------------| G|----------------------| D|5-5p3---3-------------| A|------5---5-3-1-0-----| E|------------------3---|
on the 4th and 8th time, this is played as an ending:
E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-----5-5p3---3------------------ A|-----------5---5p3/1p0---0-1---- E|--3--------------------3-------- E|---------------------------| B|---------------------------| G|---------------------------| D|---------------------------| A|-3-3-3-3h5p3/1--0-1-0------| E|----------------------1h3--|
F Dark is the horizon Blackened by the sun
Am This rotten cage of Bridgetown
C Is where I now belong
Bb And to hell we must sail For the Shores of sweet Barbados
Gm Where the sugar cane grows taller Than the god we once believed in
Bb Till the butcher and his crown Raped the land we used to sleep in
Gm Now tomorrow chimes of ghostly
F crimes Gm N.C.
Bb And to hell we must sail For the Shores of sweet Barbados
Gm Where the sugar cane grows taller Than the god we once believed in
Bb Till the butcher and his crown Raped the land we used to sleep in
Gm Now tomorrow chimes of ghostly
F crimes Gm N.C. - final instrumental break, through end - no idea how many times it’s played, but it’s basically alternating these two sections. PART 1, played twice:
E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-------------------------------- A|--1-------1-------3-1-0-------0- E|----3-3-3---3-3-3-------1-1-1--- E|-------------------------| B|-------------------------| G|-------------------------| D|-------------------------| A|------0-1-------1--------| E|1-1-1-----3-3-3---3-3-3--| E|----------------------------| B|----------------------------| G|----------------------------| D|----------------------------| A|--3-3-3-3h5p3/1--0-1-0------| E|-----------------------1h3--|
after that entire section twice straight through, then comes PART 2 played three times
E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-----5-5p3---3------------------ A|-----------5---5p3/1p0---0-1---- E|--3--------------------3------3- E|----------------------| B|----------------------| G|----------------------| D|5-5p3---3-------------| A|------5---5-3-1-0-----| E|------------------3---|
and after the third time through that, play this ENDING
E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-----5-5p3---3------------------ A|-----------5---5p3/1p0---0-1---- E|--3--------------------3-------- E|---------------------------| B|---------------------------| G|---------------------------| D|---------------------------| A|-3-3-3-3h5p3/1--0-1-0------| E|----------------------1h3--|
then go back to part 1 played twice, followed by part 2 played three times, then the ending. repeat as needed! And for any mandolin or violin players, those few riffs look like this:
intro: e|-----------------------------1-- A|------1--1-3-1--1-3-5--5-3-5---- D|--3-5--------------------------- G|-------------------------------- e|--1--3-3-1---3-3-1---------------- A|5----------5--------5-3-5-3-1---1- D|------------------------------5--- G|---------------------------------- e|--| A|--| D|--| G|--| e|-----------------------------1-- A|------1--1-3-1--1-3-5--5-3-5---- D|--3-5--------------------------- G|-------------------------------- e|--1--3-3-1---3-3-1--------------- A|5----------5---------5-3-1-3-5-3- D|--------------------------------- G|--------------------------------- e|---| A|1--| D|---| G|---| first interlude: e|------3—3p1---1----------------- A|------------5---5-3-1-0---0-1--- D|---5--------------------5------- G|-------------------------------- e|---3-3p1---1---------------------- A|---------5---5-3-1-0-------------- D|5--------------------5------------ G|---------------------------------- e|--| A|--| D|--| G|--| e|------3—3p1---1----------------- A|------------5---5-3-1-0---0-1--- D|---5--------------------5------- G|-------------------------------- e|---------------------------------- A|3-3-3-3h5-3/1-0-1-0--------------- D|--------------------3-5----------- G|---------------------------------- e|--| A|--| D|--| G|--| second interlude: e|------------------------------- A|-1-------1-------5-3-0-------0- D|---5-5-5---5-5-5-------3-3-3--- G|------------------------------- e|------------------------| A|------1-------1---------| D|3-3-3---5-5-5---5-5-5---| G|------------------------| e|----------------------------| A|--3-3-3-3h5-3/1-0-1-0-------| D|----------------------3-5---| G|----------------------------|
*** Remember lots and lots of double picking, this isn’t note for note, some are double picked, some are slid past or hammered on or whatever. this is meant as a guide. also, because the instrumental stuff as well as the intro is all played on the violin/mandolin/accordion, the guitar stuff is at least 1 octave flat to what you hear on the actual recording, so make adjustments as needed, but the notes themselves are pretty close to correct. great song Have fun, email questions or corrections to
F*
Song details

Composition: Bridget Regan, Matt Hensley, George Schwindt, Nathen Maxwell, Dennis Casey, Dave King, and Bob Schmidt

Did you see an error?

Enviar revisão