Tobacco Island
Flogging Molly
Continues after the ad
Key:
from the album Within a Mile of Home tabbed by Eric Bonkowskichorus riff: E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-----------------------------3-- A|------1--1-3-1--1-3-5--5-3-5---- E|--1-3--------------------------- E|----------------------| B|----------------------| G|----------------------| D|--3-5-5-3---5-5-3-----| A|5---------5-----------| E|----------------------| E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-------------------------------- A|--5-3-5--3-1---1-------1--1-3-1- E|-------------3-----1-3---------- E|----------------------| B|----------------------| G|----------------------| D|--------------3---3---| A|-1-3-5--5-3-5---5-----| E|----------------------| E|-------------------------------- B|-------------------------------- G|-------------------------------- D|--5-5-3----5-5-3~--------------- A|--------5-----------5-3-1-3-5-3- E|-------------------------------- E|---| B|---| G|---| D|---| A|1--| E|---|Bb And to hell we must sail For the Shores of sweet BarbadosGm Where the sugar cane grows taller Than the god we once believed inBb Till the butcher and his crown Raped the land we used to sleep inGm Now tomorrow chimes of ghostlyF crimes Gm N.C.Gm 'Twas 1659 forgotten now for sureBb They dragged us from our homeland With the musket and their gunGm Cromwell and his roundheads Battered all we knowBb Shackled hopes of freedom We're now but stolen goodsF Darken the horizon Blackened from the sunAm This rotten cage of BridgetownC Is where I now belongBb And to hell we must sail For the Shores of sweet BarbadosGm Where the sugar cane grows taller Than the god we once believed inBb Till the butcher and his crown Raped the land we used to sleep inGm Now tomorrow chimes of ghostlyF crimes Gm N.C.Gm Red leg down a peg Blistered burns the soulBb The floggings they're a plenty But reasons there are noneGm Our backs belong to landlordsContinues after the adWhere branded is there nameBb Paid for with ten shillings Cheap labor never breaksF The silver moon is shinin' Cools the copper bloodAm Where the livin' meet the deadC And together dance as oneBb And to hell we must sail For the Shores of sweet BarbadosGm Where the sugar cane grows taller Than the god we once believed inBb Till the butcher and his crown Raped the land we used to sleep inGm Now tomorrow chimes of ghostlyF crimes Gm N.C.Bb Gm Bb Ag-ony, will you cleanse thisGm misery?Bb Gm For it's never again I'll breatheF The air of homeBb Gm From this sandy edgeBb Gm The rolling sea breaks my revengeBb Gm With each whisper a thousand wavesF I hear roar I'm coming home - Instrumental break - x8 each time break is played, it’s over one chord played in this order: Gm, F, Gm, F, Gm, F, Gm, Bb (one chord for each time)E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-----5-5p3---3------------------ A|-----------5---5p3/1p0---0-1---- E|--3--------------------3------3- E|----------------------| B|----------------------| G|----------------------| D|5-5p3---3-------------| A|------5---5-3-1-0-----| E|------------------3---|on the 4th and 8th time, this is played as an ending:E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-----5-5p3---3------------------ A|-----------5---5p3/1p0---0-1---- E|--3--------------------3-------- E|---------------------------| B|---------------------------| G|---------------------------| D|---------------------------| A|-3-3-3-3h5p3/1--0-1-0------| E|----------------------1h3--|F Dark is the horizon Blackened by the sunAm This rotten cage of BridgetownC Is where I now belongBb And to hell we must sail For the Shores of sweet BarbadosGm Where the sugar cane grows taller Than the god we once believed inBb Till the butcher and his crown Raped the land we used to sleep inGm Now tomorrow chimes of ghostlyF crimes Gm N.C.Bb And to hell we must sail For the Shores of sweet BarbadosGm Where the sugar cane grows taller Than the god we once believed inBb Till the butcher and his crown Raped the land we used to sleep inGm Now tomorrow chimes of ghostlyF crimes Gm N.C. - final instrumental break, through end - no idea how many times it’s played, but it’s basically alternating these two sections. PART 1, played twice:E|-------------------------------- B|-------------------------------- G|-------------------------------- D|-------------------------------- A|--1-------1-------3-1-0-------0- E|----3-3-3---3-3-3-------1-1-1--- E|-------------------------| B|-------------------------| G|-------------------------| D|-------------------------| A|------0-1-------1--------| E|1-1-1-----3-3-3---3-3-3--| E|----------------------------| B|----------------------------| G|----------------------------| D|----------------------------| A|--3-3-3-3h5p3/1--0-1-0------| E|-----------------------1h3--|after that entire section twice straight through, then comes PART 2 played three timesE|-------------------------------- B|-------------------------------- G|-------------------------------- D|-----5-5p3---3------------------ A|-----------5---5p3/1p0---0-1---- E|--3--------------------3------3- E|----------------------| B|----------------------| G|----------------------| D|5-5p3---3-------------| A|------5---5-3-1-0-----| E|------------------3---|and after the third time through that, play this ENDINGE|-------------------------------- B|-------------------------------- G|-------------------------------- D|-----5-5p3---3------------------ A|-----------5---5p3/1p0---0-1---- E|--3--------------------3-------- E|---------------------------| B|---------------------------| G|---------------------------| D|---------------------------| A|-3-3-3-3h5p3/1--0-1-0------| E|----------------------1h3--|then go back to part 1 played twice, followed by part 2 played three times, then the ending. repeat as needed! And for any mandolin or violin players, those few riffs look like this:intro: e|-----------------------------1-- A|------1--1-3-1--1-3-5--5-3-5---- D|--3-5--------------------------- G|-------------------------------- e|--1--3-3-1---3-3-1---------------- A|5----------5--------5-3-5-3-1---1- D|------------------------------5--- G|---------------------------------- e|--| A|--| D|--| G|--| e|-----------------------------1-- A|------1--1-3-1--1-3-5--5-3-5---- D|--3-5--------------------------- G|-------------------------------- e|--1--3-3-1---3-3-1--------------- A|5----------5---------5-3-1-3-5-3- D|--------------------------------- G|--------------------------------- e|---| A|1--| D|---| G|---| first interlude: e|------3—3p1---1----------------- A|------------5---5-3-1-0---0-1--- D|---5--------------------5------- G|-------------------------------- e|---3-3p1---1---------------------- A|---------5---5-3-1-0-------------- D|5--------------------5------------ G|---------------------------------- e|--| A|--| D|--| G|--| e|------3—3p1---1----------------- A|------------5---5-3-1-0---0-1--- D|---5--------------------5------- G|-------------------------------- e|---------------------------------- A|3-3-3-3h5-3/1-0-1-0--------------- D|--------------------3-5----------- G|---------------------------------- e|--| A|--| D|--| G|--| second interlude: e|------------------------------- A|-1-------1-------5-3-0-------0- D|---5-5-5---5-5-5-------3-3-3--- G|------------------------------- e|------------------------| A|------1-------1---------| D|3-3-3---5-5-5---5-5-5---| G|------------------------| e|----------------------------| A|--3-3-3-3h5-3/1-0-1-0-------| D|----------------------3-5---| G|----------------------------|*** Remember lots and lots of double picking, this isn’t note for note, some are double picked, some are slid past or hammered on or whatever. this is meant as a guide. also, because the instrumental stuff as well as the intro is all played on the violin/mandolin/accordion, the guitar stuff is at least 1 octave flat to what you hear on the actual recording, so make adjustments as needed, but the notes themselves are pretty close to correct. great song Have fun, email questions or corrections toF*
Composition: Bridget Regan, Matt Hensley, George Schwindt, Nathen Maxwell, Dennis Casey, Dave King, and Bob Schmidt
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