(intro D A D A)D A D A G A D A My life is comfortable but I don't want that image for my band.D A D A G A D A Inside, I'm reasonable but I'll make out they just don't understand.Em A Em A When we don't feel well let's put on some VelvetsEm G A Leave our guitars up against the amp.D A D And get feedback when I feel that I need that A G A D A (D A x5) Air of "look, aren't we dangerous" - that's the time to feedback.D A D A G A D A Intense, no compromise, nasty evil cranking up my brain.D A D A G A D A Pain, Howl, she's gone to Spain with a load of mates from work.Continúa después del anuncioEm A Em A And I feel cursed and sore, like I'm Thurston Moore likeEm G A The darkness in my eyes won't go away.D A D I get feedback in my bedroom in NantwichA G A D A Stamp my foot down on the angst-switch: that's the time to feedback. (instr D A D A, G A G A, D A, G A, D A, D A D A)B Em A D Somebody's knocking on my door; it's the boy from over the roadB Em A D And he says he shares our obsession and he'd like to join in on the sessionB Em A And the others aren't arsed either way, so I say:D A D A I think we'd better let him in, I heard he's got a ThereminD A D A I think we'd better let him in, I've heard he's got a ThereminEm A And I've seen him walk through the park a lotEm A And I bet he listens to Arc a lotD A I think we'd better let him in, he's got a ThereminD A We'd better let him in, he's got a Theremin.
Look Dad No Tunes
Half Man Half Biscuit
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