The Unfortunate Gwatkin

Half Man Half Biscuit

  • Am
  • C
  • D
  • Em
  • G
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Tono:
G Em I wandered around to the back of
C D the petrochemical plant where they’d found Mr
G Em C D Gwatkin’s jacket in 1974. Sleeves turned inside out
G Em With a tin of sweetcorn in each
C D pocket. The rumours surrounding his disappearance
G Em Are many and varied. Though we
C D should for the time being at least accept the version of
G Em Events given to us by the
C lamentable chap himself on his
D G Em eventual return.
C D In doing this however, we must also keep in our thoughts
G Em The findings of better minds who
C D conclude that Gwatkin as-is no longer
G Em C D Represents Gwatkin as-was.
G Em C D G Em C D
G Em Piecing together an occasional
C D vague sentence and some garbled chanting heard during the
G Em Small hours, it appears that our
C D victim was making his way home from the Pessimist
G Em Festival in Mollington when he was
C D set upon by a gang of miscreants, the
G Em Chief malefactor of whom was a
C particularly vicious character going
D by the name of
G Em C Bridgedale. So called on account
D of a thermal sock with which he
G Em Gloved his fist whenever he
C D became tetchy and needed to punch
G Em C D G Em C D somethink.
G Em Unable to comply with the rabble’s
C D hot tempered demands for unreasonable
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G Em Things such as cathedral juice and
C D vicar shit, the heavily pummelled
G Innocent was dragged into the
Em C churchyard of St. Lawrence and there
D left to his own
G Em Devices next to the grave of young
C D Nelson Burt – whose own tragic
G Em Tale is of particular interest to
C D G Em C D the local historian.
G Em It is believed that within twenty
C D minutes of this episode, a further attack was witnessed by
G Em C One Slow Dempsey of Woodside Farm,
D who alleged that he saw the
G Em Aforementioned Bridgedale scuttle
C D a full four hundred feet along the Wervin Turnpike
G Em To deliver a perfect Haymaker
C D G Em C D onto a stray colt. This afternoon I
G Em Visited Daniel Gwatkin in the
C confined place which he will
D probably never leave.
G Em I was offered redbush tea and a
C D fig roll. The pleasantry gave
G Em Hope for lengthy discourse but
C D cheer was swiftly dismissed as the pitiful subject
G Em Proceeded to gaze out of a large
C D window for what seemed like an age, before
G Em Turning around to fix me with
C D pitch black sockets which simply said
G Em C D G “Help me”. Then
Em C D Am Em C D came the song:
G Em C D Cresta! What the fuck were
G Em C D we drinking?
G Em C D Cresta! What the fuck were
G Em C D we drinking?
G Em C I write to people, they don’t
D G Em get back to me. I write a second
C D time, they don’t reply.
G Em C To ease the loneliness and pass
D G Em C the time I pace the room,
D inventing bands;
G Em C D Experimental trio from
G Em Borehamwood – ‘Hall, Stairs and
C D Landing’: they’re really good.
G Em C D Scott Verplank did not get back
G Em C to me. Newcombe and Roche, still
D no response.
G Em C Congolesi Unsworth, Glaswegian
D G Em C Runes, the singer’s granddad
D writes all the tunes.
G Em C D Jodie Mudd, Jodie Mudd, Jodie
G Em C Mudd. Jodie Mudd, Jodie Mudd, Jodie
D Mudd.
G Em C D Uh-oh Chongo! It’s Danger
G Em C D Island!
G Em C D Cresta! What the fuck were we
G drinking?
Em C D Jodie Mudd, Jodie Mudd, Jodie Mudd.
G Em C D Cresta! What the fuck were
G Em C D we drinking?
G Cresta!
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