The Unfortunate Gwatkin
Half Man Half Biscuit
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Tono:
G Em I wandered around to the back ofC D the petrochemical plant where they’d found MrG Em C D Gwatkin’s jacket in 1974. Sleeves turned inside outG Em With a tin of sweetcorn in eachC D pocket. The rumours surrounding his disappearanceG Em Are many and varied. Though weC D should for the time being at least accept the version ofG Em Events given to us by theC lamentable chap himself on hisD G Em eventual return.C D In doing this however, we must also keep in our thoughtsG Em The findings of better minds whoC D conclude that Gwatkin as-is no longerG Em C D Represents Gwatkin as-was.G Em C D G Em C DG Em Piecing together an occasionalC D vague sentence and some garbled chanting heard during theG Em Small hours, it appears that ourC D victim was making his way home from the PessimistG Em Festival in Mollington when he wasC D set upon by a gang of miscreants, theG Em Chief malefactor of whom was aC particularly vicious character goingD by the name ofG Em C Bridgedale. So called on accountD of a thermal sock with which heG Em Gloved his fist whenever heC D became tetchy and needed to punchG Em C D G Em C D somethink.G Em Unable to comply with the rabble’sC D hot tempered demands for unreasonableContinúa después del anuncioG Em Things such as cathedral juice andC D vicar shit, the heavily pummelledG Innocent was dragged into theEm C churchyard of St. Lawrence and thereD left to his ownG Em Devices next to the grave of youngC D Nelson Burt – whose own tragicG Em Tale is of particular interest toC D G Em C D the local historian.G Em It is believed that within twentyC D minutes of this episode, a further attack was witnessed byG Em C One Slow Dempsey of Woodside Farm,D who alleged that he saw theG Em Aforementioned Bridgedale scuttleC D a full four hundred feet along the Wervin TurnpikeG Em To deliver a perfect HaymakerC D G Em C D onto a stray colt. This afternoon IG Em Visited Daniel Gwatkin in theC confined place which he willD probably never leave.G Em I was offered redbush tea and aC D fig roll. The pleasantry gaveG Em Hope for lengthy discourse butC D cheer was swiftly dismissed as the pitiful subjectG Em Proceeded to gaze out of a largeC D window for what seemed like an age, beforeG Em Turning around to fix me withC D pitch black sockets which simply saidG Em C D G “Help me”. ThenEm C D Am Em C D came the song:G Em C D Cresta! What the fuck wereG Em C D we drinking?G Em C D Cresta! What the fuck wereG Em C D we drinking?G Em C I write to people, they don’tD G Em get back to me. I write a secondC D time, they don’t reply.G Em C To ease the loneliness and passD G Em C the time I pace the room,D inventing bands;G Em C D Experimental trio fromG Em Borehamwood – ‘Hall, Stairs andC D Landing’: they’re really good.G Em C D Scott Verplank did not get backG Em C to me. Newcombe and Roche, stillD no response.G Em C Congolesi Unsworth, GlaswegianD G Em C Runes, the singer’s granddadD writes all the tunes.G Em C D Jodie Mudd, Jodie Mudd, JodieG Em C Mudd. Jodie Mudd, Jodie Mudd, JodieD Mudd.G Em C D Uh-oh Chongo! It’s DangerG Em C D Island!G Em C D Cresta! What the fuck were weG drinking?Em C D Jodie Mudd, Jodie Mudd, Jodie Mudd.G Em C D Cresta! What the fuck wereG Em C D we drinking?G Cresta!