Baker St Muse

Jethro Tull

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Tono:
Em D Dsus2 Em [Verse]
C D Em Windy bus-stop. Click.
D C G D Dsus4 E7 Shop-window. Heel
C D Em D Shady gentleman. Fly-button.
C G D Dsus4 E7 Feel
G D C In the underpass, the blind man
G stands
D B7 With cold flute hands
F C A Symphony match-seller, breath
D Dsus4 out of time
G B7 Em You can call me on another line
C D Em D Indian restaurants that curry
C G D Dsus4 my brain.
C D Em D Newspaper warriors changing the
C G D Dsus4 names
G D F they advertise from the station
G stand.
D B7 With cold print hands.
F C A Symphony word-player, I'll be
D Dsus4 your headline.
G B7 Em If you catch me another time. [Chorus]
C D Dsus4 Didn't make her --- with my
E7 A7 E7 Baker Street Ruse.
E D Dsus4 Couldn't shake her --- with my
E7 A7 E7 Baker Street Bruise.
E D D Dsus4 Like to take her --- but I'm
E7 A7 E7 just a Baker Street Muse. [Verse]
C D Em D Ale-spew, puddle-brew, Boys,
C G D Dsus4 throw it up clean
C D Em D Coke and Bacardi colours them
C G D Dsus4 green
G D From the typing pool goes the
C G C mini-skirted princess with great
B7 finesse
F C Fertile earth-mother, your burial
A D Dsus4 mound is fifty feet down
G B7 in the Baker Street underground.
Em (What the hell!)
C D Em D Walking down the gutter thinking
Dsus4
G B7 "How the hell am I today?"
C D Em D Well, I didn't really ask you
G B7 but thanks all the same [Pygmy And The Whore]
F C G F C Big bottled fraulein, put your
G weight on me
F C G Said the pygmy to the whore
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F C G D Desperate for more in his
C G assault upon the mountain
F C G little man his youth a fountain
F C G overdrafted and still counting
F C G vernacular verbose
F C G an attempt in getting close to
D C G where he came from
F C G in the doorway of the stars,
F C G between Blandford Street and Mars
F C G F C G proposition deal, fly button feel
D C D testicle testing, wallet ever
C G bulging
F C dressed to the left divulging
G F C G the wrinkles of his years
F C G F wedding bell induced fears
C G shedding bell end tears
D C in the pocket of her resistance
G
F C G international assistance flowing
F C G generous and full
F C G to his never-ready tool
F C G pulls his eyes over her wool
D C and he shudders as he comes
D C and my rudder slowly turns me
G D into the Marylebone Road [Crash-Barrier Waltzer]
D
G And here slip I --- dragging one
Em foot in the gutter ---
D Am C in the midnight echo of the shop
D Dsus4 that sells cheap radios.
G And there sits she --- no bed, no
Em D bread, no butter ---
Am C on a double yellow line --- where
D Dsus4 she can park anytime.
G Old Lady Grey; crash-barrier
Em D waltzer ---
Am C some only son's mother. Baker
D Dsus4 Street casualty.
G Oh, Mr. Policeman --- blue shirt
Em D ballet master.
Am C Feet in sticking plaster --- move
D Dsus4 the old lady on.
G Strange pas-de-deux --- his Romeo
Em D to her Juliet.
D Am C Her sleeping draught, his poisoned regret.
C D C No drunken bums allowed to sleep
D G here in the crowded emptiness.
G Oh officer, let me send her to a
Em D cheap hotel ---
Am I'll pay the bill and make her well
C D Dsus4 - like hell you bloody will!
C D C No do-good over kill. We must
D teach them to be still more
G Em independent. [Mother England Reverie]
E
Em D C I have no time for Time Magazine
Em or Rolling Stone.
Em D C I have no wish for wishing wells
Em or wishing bones.
Em D C I have no house in the country I
Em have no motor car.
G D And if you think I'm joking,
C then I'm just a one-line joker in a
Em public bar.
Em D And it seems there's no-body left for
C tennis; and I'm a one-band-man.
Em
G D C And I want no Top Twenty funeral
Em or a hundred grand.
Em D There was a little boy stood on a
Em burning log,
G D Bm B7 rubbing his hands with glee.
G D He said, ``Oh Mother England,
Em A Am did you light my smile; or did
C D B7 you light this fire under me?
G D One day I'll be a minstrel in the
Em gallery.
G D And paint you a picture of the
B7 queen.
G D Em And if sometimes I sing to a
A Am cynical degree ---
Am C it's just the nonsense that it
D B7 seems.''
G D So I drift down through the Baker
Em Street valley,
G D B7 in my steep-sided un-reality.
G D And when all is said and all is done --- I couldn't wish
Em A for a better one.
Am C E|t's| a real-life ripe dead D B7 E|certainty ---
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