Frame by Frame

E|----------------|--------------
B|----------2-----|----------2---
G|--2---4-----4---|--2---4-----4-
D|----4---4-----4-|----4---4-----
A|----------------|--------------
E|----------------|--------------

E|--|--| ----------------|---------------|      
B|--|--| ----------2-----|---------2-----|      
G|--|-| etc...--2---4-----4---|--2---4----4---| 
D|4-|--| ----3---3-----3-|----3---3----3-|      
A|--|----| ----------------|---------------|    
E|--|-| ----------------|---------------|       

E|----------------|--------------
B|----------2-----|----------2---
G|--2---4-----4---|--2---4-----4-
D|----2---2-----2-|----2---2-----
A|----------------|--------------
E|----------------|--------------

E|--|----------------|            
B|--|----------5-----|            
G|--|--5---7-----7---| repeat the 
D|2-|----7---7-----7-| at the 5th 
A|--|----------------|            
E|--|----------------|            

             
             
same pattern 
fret.        
             
             

The fripp line on top of the belew 
7/8 is basically the same riff in
alternating bars of 6 and 7, but 
KEEPING THE SAME 8th note value.
This produces the funky intervals 
you hear... and you thought it
was a delay! (I know *I* did first 
time I heard it... 8-)).
E|------------------|------------
B|------------2-----|----------2-
G|--2---4-------4---|--2---4-----
D|----2---2-------2-|----2---2---
A|------------------|------------
E|------------------|------------

E|---|                            
B|---|                            
G|---|                            
D|2--|                            
A|---| etc. over the 7/8 above... 
E|---|                            


The chording during fripps' wacked 
out picking in the intro and
between verses seems to be a barred 
9th chord, dropping the
unison on the G string to the major 
7th, ie
E|--2-----2--2----| 
B|--2-----2--2----| 
G|--4-----3--4----| 
D|--4-----4--4----| 
A|--2-----2--2----| 
E|--2-----2--2----| 

with appropriate whammy bar antics 
for the first chord, then up to a
Dsus2 (5th & 7th fretts) then again 
another 3rd.

Oh yeah, when the 13/8 and 7/8 fall 
back together, they play for
about 3 bars both in 7 *then* drop 
the bass note as noted above.

Some one is yet to figure out the 
"wacked out fripp part".






Continúa después del anuncio
Date: Tue, 6 Feb 1996 11:39:02 -0500
From: Taylor Sherman
Subject: TAB: Frame_by_frame by King
 Crimson

This was originally posted by Sven .
Excellent work on the 13/8 part, but
 I found a small error in the
second change of the 7/8 part: 
Instead of the second note in each
measure moving down another half 
step, the first note moves down a
half step.  I've also made some 
headway into the "Wacked out Fripp 
part."

        -Taylor Sherman

King Crimson -- Frame by Frame



This is the 7/8 guitar part that 
Belew plays during the singing:
E|----------------|--------------
B|----------2-----|----------2---
G|--2---4-----4---|--2---4-----4-
D|----4---4-----4-|----4---4-----
A|----------------|--------------
E|----------------|--------------

E|--|--| ----------------|---------------|      
B|--|--| ----------2-----|---------2-----|      
G|--|-| etc...--2---4-----4---|--2---4----4---| 
D|4-|--| ----3---3-----3-|----3---3----3-|      
A|--|----| ----------------|---------------|    
E|--|-| ----------------|---------------|       

E|----------------|--------------
B|----------2-----|----------2---
G|--1---4-----4---|--1---4-----4-
D|----3---3-----3-|----3---3-----
A|----------------|--------------
E|----------------|--------------

E|--|----------------|            
B|--|----------5-----|            
G|--|--5---7-----7---| repeat the 
D|3-|----7---7-----7-| at the 5th 
A|--|----------------|            
E|--|----------------|            

             
             
same pattern 
fret.        
             
             

The fripp line on top of the belew 
7/8 is basically the same riff in
alternating bars of 6 and 7, but 
KEEPING THE SAME 8th note value.
This produces the funky intervals 
you hear... and you thought it
was a delay! (I know *I* did first 
time I heard it... 8-)).
E|------------------|------------
B|------------2-----|----------2-
G|--2---4-------4---|--2---4-----
D|----2---2-------2-|----2---2---
A|------------------|------------
E|------------------|------------

E|---|                            
B|---|                            
G|---|                            
D|2--|                            
A|---| etc. over the 7/8 above... 
E|---|                            


The chording during fripps' wacked 
out picking in the intro and
between verses seems to be a barred 
9th chord, dropping the
unison on the G string to the major 
7th, ie
E|--2-----2--2----| 
B|--2-----2--2----| 
G|--4-----3--4----| 
D|--4-----4--4----| 
A|--2-----2--2----| 
E|--2-----2--2----| 

with appropriate whammy bar antics 
for the first chord, then up to a
Dsus2 (5th & 7th frets) then again 
another 3rd.

Oh yeah, when the 13/8 and 7/8 fall 
back together, they play for
about 3 bars both in 7 *then* drop 
the bass note as noted above.

Some one is yet to figure out the 
"wacked out fripp part".

However, it's based on the 
following:
E|-------------------------------
B|-------------------------------
G|-------------------------------
D|-----5-7-5-------5-7-5-------5-
A|-5-8-------8-5-8-------8-5-8---
E|-------------------------------

E|-----------------|     
B|-----------------|     
G|-----------------|     
D|7-5--------------|     
A|----8------------| etc 
E|-----------------|     

Which modulates up to the 7th fret, 
then 10th, then 11th. The rhythm
is strange, I can't pin down if it's
 sextuplets, 6 against 4, or what.
It seems like he adds some notes 
sometimes to make things fit in.