Juke Joint Jezebel

Kmfdm

tono:

E|------------------------------------------|
B|-----------------------------7------------|
G|--9-----X| X-10-----7-----(7)----7---------|
D|--9-----X-x-10-----7---------------7-6~---| x2
A|--7-----X-x--8-----5----------------------|
E|------------------------------------------|


Chorus

Alternate between the first and second ending.

E|--------------------------------------------------------|
B|--------------------------------------------------------|
G|--9-------------------------------------7---------------|
D|--9-------------------------------------6---------------|
A|--7---------------5p4--------5p4------------------------| x8
E|------0--0--0--0-------0--0-------0--0------0--0--0--0--|
 |      x  x  x  x       x  x       x  x      x  x  x  x  |

    ending 1                 ending 2
E|------------------------|------------------------|
B|------------------------|------------------------|
G|------------------------|------------------------|
D|------------------------|--6p4-------------------|
A|--5h7--------7h8--------|-------------5h7--------|
E|-------0--0-------0--0--|-------0--0-------0--0--|
 |       x  x       x  x  |       x  x       x  x  |


Post-chorus riff 1. This is a single bar of 6/4. Listen to the song to get
rhythm, it's pretty unusual.

E|-----------------------|
B|-----------------------|
G|-----------------------|
D|--2---5---4---6--5/7---|
A|--2---5---4---6--5/7---|
E|--0---3---2---4--3/5---|


Post-chorus riff 2 (2:56). This is just two bars of 4/4, played twice.

E|----------------------------------------------|
B|----------------------------------------------|
G|----------------------------------------------|
D|--------5/9-----5/8--------5/7-----------5\4--|
A|--------5/9-----5/8--------5/7-----------5\4--| x2
E|--0--0--3/7--0--3/6--0--0--3/5--0--0--0--3\2--|
    x  x       x       x  x       x  x  x       |

Verse riff (3:26), x4. And here we evidence the bane of tablature, i.e.
the inability to tab out rhythm easily. I tried to help it by placing
the subdivions of the beat above the staff. The only difference between
the two measures is the notes of the last beat of each.

    1   & a   2   & a  e  a  4 e & a      1   & a   2   & a  e  a 4 e & a   
E|-------------------------------------|------------------------------------|
B|-------------------------------------|------------------------------------|
G|-------------------------------------|------------------------------------|
D|-------------------------------------|--------------------------7p5-------|
A|--0---0-0---0---0-0--0--0--0-0-0-0---|--0---0-0---0---0-0--0--0-----7-5---|
    x   x x   x   x x  x  x  x x x x      x   x x   x   x x  x  x     x x   |

Near-end riff (4:57).

E|-------------------------------------------------------------------|
B|-------------------------------------------------------------------|
G|-------------------------------------------------------------------|
D|-----5/9-----5/8-----5/7--------5-/9-----5/8-----5/7----------5\4--|
A|-----5/9-----5/8-----5/7--------5-/9-----5/8-----5/7----------5\4--|
E|--0--3/7--0--3/6--0--3/5--0--0--3-/7--0--3/6--0--3/5--0-0--0--3\2--|
    x       x       x       x  x        x       x       x x  x       |


structure:

Intro (16 bars)
Pre-verse 1 riff (1 bar)
Verse 1 (16 bars)
Pre-chorus (8 bars)
Chorus (16 bars)
Post-chorus riff 1 (1 bar of 6/4)
Break (4 bars)
Verse 2 (8 bars)
Pre-chorus (8 bars)
Chorus (16 bars)
Post-chorus riff 2 (4 bars)
Break (4 + 8 bars)
Verse 3 w/ verse riff (8 bars)
Pre-chorus (8 bars)
Chorus w/ chorus phrase thrice instead of twice (24 bars)
Break (1 + 8 bars)
Near-end riff (3 bars)
Chorus (16 bars)
Outro riff (4 bars)