Losing My Edge

LCD Soundsystem

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Tono:
Intro: palm mute rhythmically (also through out the first verse: Verse 1: Yeah, I'm losing my edge. I'm losing my edge. The kids are coming up from behind. I'm losing my edge. I'm losing my edge to the kids from France and from London.
G G E G E G But I was there. Verse 2: (entire verse is based around the riff*
G I was there in 1968.
G I was there at the first Can show in Cologne.
G I'm losing my edge.
G I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
G I'm losing my edge to the Internet seekers who can tell me every member
G of every good group from 1962 to 1978.
G I'm losing my edge.
G To all the kids in Tokyo and Berlin.
G I'm losing my edge to the art-school Brooklynites in little jackets
G and borrowed nostalgia for the unremembered eighties.
G But I'm losing my edge.
G I'm losing my edge, but I was there.
G I was there.
G But I was there.
G I'm losing my edge.
G I'm losing my edge.
G I can hear the footsteps every night on the decks.
G G G E G E G But I was there.
G I was there in 1974 at the first Suicide practices in a loft in New York City.
G I was working on the organ sounds with much patience.
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G I was there when Captain Beefheart started up his first band.
G I told him, "Don't do it that way. You'll never make a dime."
G I was there.
G I was the first guy playing Daft Punk to the rock kids.
G I played it at CBGB's.
G Everybody thought I was crazy.
G We all know.
G I was there.
G I was there.
G I've never been wrong.
G I used to work in the record store.
G I had everything before anyone.
G I was there in the Paradise Garage DJ booth with Larry Levan.
G I was there in Jamaica during the great sound clashes.
G I woke up naked on the beach in Ibiza in 1988.
G But I'm losing my edge to better-looking people with better ideas and more talent.
G And they're actually really, really nice.
G I'm losing my edge.
G I heard you have a compilation of every good song ever done by anybody.
G Every great song by the Beach Boys. All the underground hits.
G All the Modern Lovers tracks.
G I heard you have a vinyl of Every Niagra record on German import.
G I heard that you have a white label of every seminal Detroit Techno hit - 1985, '86, '87.
G I heard that you have a CD compilation of every good '60s cut and Another box set from the '70s.
G I hear you're buying a synthesizer and an arpeggiator
G and are throwing your computer out the window
G because you want to make something real. You want to make a Yaz record.
G I hear that you and your band have sold your guitars and bought turntables.
G I hear that you and your band have sold your turntables and bought guitars.
G I hear everybody that you know is more relevant than everybody that I know.
G But have you seen my records?
G This Heat, Pere Ubu, Outsiders, Nation of Ulysses, Mars,
G The Trojans, The Black Dice, Todd Terry, the Germs, Section 25,
G Althea and Donna, Sexual harassment, a-ha, Pere Ubu, Dorothy Ashby, PIL,
G the Fania All-Stars, the Bar-Kays, the Human League, the Normal, Lou Reed, Scott Walker, Monks, Niagra,
G Joy Division, Lower 48, the Association, Sun Ra,
G Scientists, Royal Trux, 10cc,
G Eric B. and Rakim, Index, Basic Channel, Soulsonic Force ("just hit me"!),
G Juan Atkins, David Axelrod, Electric Prunes, Gil! Scott! Heron!, the Slits,
G Faust, Mantronix, Pharaoh Sanders and the Fire Engines, the Swans, the Soft Cell,
G the Sonics, the Sonics, the Sonics, the Sonics. Outro:
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C You don't know what you really want.
G C
Información de la canción

Composición: D F A y James Peter Murphy

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