White Russian

Marillion

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Tono: (forma de los acordes en la tonalidad de Db)
From: James Osgood Transcribed by James Osgood * The song is played with a capo at the third fret. It is in 3/4 (waltz time) Legend 10b12 means bend from the tenth fret to the twelfth. (10)b12 means pre-bend 20r18 means release bend ~ indicates vibrato. / means slide \/ means dip one semitone with whammy bar. p indicates pull off, and h indicates hammer on. After the initial synth chords, SR plays a few swelled in notes i.e. fade in with a volume pedal or with the guitars volume control. Where do we go from here Where do we go
e--------------------------------- B-----(11)b13~-------------------- G--------------------------------- D--------------------------------- A--------------------------------- E--------------------------------- e|---------------------------------- B|---------------------------------- G|---(10)b12~----------------------- D|---------------12~---------------- A|---------------------------------- E|----------------------------------
go from here Where do we go from here
e-------------------10b11~-------- B--------------------------------- G--------------------------------- D--------------------------------- A--------------------------------- E--------------------------------- e|---------------------------------- B|-------------------------(11)b13-- G|---------------------------------- D|---------------------------------- A|---------------------------------- E|----------------------------------
Where do we go from here
e-------------------------------- B------------------18b20r18p16--- G-------------------------------- D-------------------------------- A-------------------------------- E-------------------------------- e|----------------------------------- B|18---(18)b20~--------------------- G|----------------------------------- D|----------------------------------- A|----------------------------------- E|----------------------------------- \/ \/ \/ vib. e--------------------------------- B-------13-------13-------13------ G-------12-------12-------12------ D-------10-------10-------10------ A----3--------3--------3-------3-- E--------------------------------- with bar e|11~~---| B|11~~---| G|-------| Repeat D|-------| A|-------| E|-------|
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Then we get the main riff, in 3/4. This part is written in time. The first two notes are quavers and the second two crotchets. They boarded up the synagogues, Uzis on a street corner
e------3---3---|------3---3---|-- B------4---4---|------4---4---|-- G------5---5---|------5---5---|-- D----5---------|----6---------|-- A--3-----------|--3-----------|-- E--------------|--------------|-- e|------------|-------------| B|----6-------|----6--------| G|---------8--|-------8-----| D|--7---------|--6----------| A|3-----------|-------------| E|------------|-------------|
Same until we get to the change, which is just arpeggios of Gm and EbM7
e--------3-----|--------3------| B----------3---|----------3----| G------------3-|------3-----3--| D------5-------|----4----------| A----5---------|--5------------| E--3-----------|---------------|
The next different bit is at the point. The more I see the more I hear the more I find fewer answers.. which has this little bit twice. Check the CD for the timing.
e--16-------15------| B------18-------16--| G-------------------| D-------------------| A-------------------| E-------------------|
After this bit we get some weird arpeggios. The first is Db with a Bb bass, but the second - I'm not sure if this is right as the guitar part is buried. To calm down....
e--------4------|--------4------|- B----------6----|----------6----|- G------6-----6--|------6-----6--|- D----3----------|----3----------|- A---------------|---------------|- E--6------------|--6------------|- e|-------3------|----------3--| B|---------4----|----------4--| G|-----3-----3--|----------3--| D|---3----------|------3------| A|--------------|-------------| E|-6------------|--6----------|
Then the solo - this is the first time I've transcribed a fastish solo, so no flames please if it's not 100% accurate. The | here do not represent bar lines, merely a tidy way of ending the lines.
Tremelo picking--| e--------------17-18-17-15-17-18- B----(18)b20--------------------- G-------------------------------- D-------------------------------- A-------------------------------- E--3----------------------------- e|15----------------------------| B|---18--15~--------------------| G|-----------3--5-(5)b7r5p3-----| D|--------------------------3h5~| A|------------------------------| E|------------------------------| e------------------------------ B--8p6p3--8p6p3--8p6p3--8p6p3-- G------------------------------ D------------------------------ A------------------------------ E------------------------------ e|-------------------------------| B|8p6p3--8p6p3--8/15--13--15/18--| G|-------------------------------| D|-------------------------------| A|-------------------------------| E|-------------------------------| \/ A nice fast Gm scale e--------------------------------- B--15----------------------------- G------15--14-----15--14---------- D-------------------------17--15-- A--------------------------------- E--------------------------------- e|----------------------------| B|-----------------------15---| G|-----------14--15--17-------| D|----15--17------------------| A|17--------------------------| E|----------------------------| e----------15--17--18/20--18--20-- B--16--18------------------------- G--------------------------------- D--------------------------------- A--------------------------------- E--------------------------------- e|(20)b22~~--| B|-----------| G|-----------| D|-----------| A|-----------| E|-----------|
The solo is followed by a fast version of the main riff, played on distorted guitar. This is again written in time.
e--------3-----|--------3-----|-- B--------4-----|--------4-----|-- G--------5-----|--------5-----|-- D--------5-----|--------6-----|-- A--3-3-3-3-3-3-|--3-3-3-3-3-3-|-- E--------------|--------------|-- e|------------|-------------| B|------6-----|---------9---| G|------8-----|---------8---| D|------7-----|---------6---| A|3-3-3-3-3-3-|-3-3-3-3-3---| E|------------|-------------|
Gm and EbM7 arpeggios are again played under the 'Where do we go from here's, this time on distorted guitar. Underneath the piano arpeggios at ' We buy fresh bagels..' we have
e--3--------------|--6------------ B--------3--------|--------3------ G-----8-----------|-----8--------- D-----------------|--------------- A-----------------|--------------- E-----------------|---------------
Then the outro solo
e------------------------------ B-----------------------16b18-- G--(15)b17~-15--13--15--------- D------------------------------ A------------------------------ E------------------------------ e|--------------------------------| B|--------------------------------| G|(15)b17--15--13--12~-10--12--13-| D|--------------------------------| A|--------------------------------| E|--------------------------------| The F is a grace note e--------------------------------- B--------------------------------- G--10h12--8------8-10--12--13/15-- D------------10------------------- A--------------------------------- E--------------------------------- e|--------| B|16------| Repeat this bit. G|----15--| D|--------| A|--------| E|--------| e-13-15b16r15-------------------- B-------------14----------------- G----------------15-13-12-------- D-------------------------15----- A-----------------------------17- E-------------------------------- e|13--15b16r15-----15h16p15----| B|--------------16----------16-| G|-----------------------------| D|-----------------------------| A|-----------------------------| E|-----------------------------| e--15h16h18--(18)b20-- B--------------------- G--------------------- D--------------------- A--------------------- E--------------------- e|(18)b20r18p16--18--15--16--18-(18)b20-----| B|------------------------------------------| G|------------------------------------------| D|------------------------------------------| A|------------------------------------------| E|------------------------------------------| e-(18)b20r18p16--18--------------- B--------------------16b18----13-- G--------------------------15----- D--------------------------------- A--------------------------------- E--------------------------------- e|------------------------------| B|16--13------------------------| G|-------13\12------------------| D|-------------13----13~--------| A|----------------15------------| E|------------------------------|
There is more, but for now, I've had enough. It carrys on in a similar vein, all in Fm until the end. Send flames etc to *.
Información de la canción

Composición: Derek William Dick, Ian Mosley, Marillion, Mark Kelly, Pete Trewavas y Steve Rothery

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