Succexy
Metric
Continúa después del anuncio
Tono:
Tabbed by: Stouffer Email: S* Tuning:EADGBe This was tabbed on an acoustic guitar. If playing electric, subsitute bar chords for powerchords.F# G F# Lonesome for no one whenF# G F# The room was empty andF# G F# War as we knew it was obsoleteF# G A Nothing could beat completeF# G F# denialG A F#F# G F# All we do is talk, sit, switch screensG A F# As the homeland plans enemiesF# G F# All we do is talk, static split screens G A F# (F#) (Whammy/bend strings if on electric) As the homeland plans enemiesAt 14s this keyboard riff kicks in and continues until the chorus: e|------------------------------- B|---------4-5/4-2---6/5-2---4-2- G|-------2---------4-------4----- D|-----4------------------------- A|---4--------------------------- E|------------------------------- e|--------------------------------- B|--2--------------0-5/4-2---6/5-2- G|4---4----------2---------4------- D|------4------4------------------- A|--------4--4--------------------- E|--------------------------------- -----------| -----------| 444--44----| -----------| -----------| -----------|ChorusInvasion's so succexxy.... e|-------------------------------- B|-------------------------------- G|---6-44----6-44---6-44---6-44--- D|--------6------6------6------6-- A|-------------------------------- E|-------------------------------- e|---------------------------------- B|---------------------------------- G|6-44---6-44---6-4----------x2----- D|-----6------6-----444-44---------- A|---------------------------------- E|----------------------------------Continúa después del anuncioG F# Let's drink to the militaryG F# The glass is emptyG F# Faces to fill and cars to feedG A F# Nothing could beat complete denialG F#G A F#F# G F# All we do is talk, static split screensG A F# As the homeland plans enemiesF# G F# All we do is talk, static split screensG A F# As the homeland plans enemiesInvasion's so succexxy.... e|-------------------------------- B|-------------------------------- G|---6-44----6-44---6-44---6-44--- D|--------6------6------6------6-- A|-------------------------------- E|-------------------------------- e|---------------------------------- B|---------------------------------- G|6-44---6-44---6-4------------x4--- D|-----6------6-----444-44---------- A|---------------------------------- E|----------------------------------Passive attraction, programmed reaction Passive attraction, programmed reaction Action distraction, more information Flesh saturation, lips on a napkin Ass ass assBass fill e|----------------------------- B|----------------------------- G|----------------------------- D|----------------------------- A|--22--2/44-4/99-9-9-9----22-- E|----------------------------- e|------------------------------------ B|------------------------------------ G|------------------------------------ D|------------------------------------ A|2/44-4/99-9-9-9----22-2/44-4/99-9-9- E|------------------------------------ ---------------------------------- ---------------------------------- ---------------------------------- -------99-9----------------99-9--- 9----------77-7/99-9-9---------77- ---------------------------------- ----------------| ----------------| ----------------| ----------------| 7/99-9-9--------| ----------------|Where does the time go? We're waking up so slowly Days are horizontal lately Out of body, watched from above Out of body, watched from aboveThis kicks in at 2:09 e|-----------------------|-------- B|-10-10----10-12-10-----|--7-7--- G|-11-11-------------11--|--7-7--- D|-10-10-----------------|--7-7--- A|-----------------------|-------- E|-----------------------|-------- e|---------------------------------- B|9-9---10-10--10-12-10------------- G|9-9---11-11-----------11-----x5--- D|9-9---10-10----------------------- A|---------------------------------- E|----------------------------------Passive attraction, programmed reaction More information, cash masturbation Follow the pattern- the hemlines, the headlines Action distraction,faster than fashion Faster than fashion,faster than fashionF# G F# Lonesome for no one whenF# G F# The room was empty andF# G F# War as we knew it was obsolete F# G B#m (strum slowly for full effect!) Nothing could beat complete denial Thats it, comments/suggestions welcome | / slide up | \ slide down | h hammer-on | p pull-off | ~ vibrato | + harmonic | x Mute note ===============================================================================