All Blues
Miles Davis
- C
- D7#94
- Eb7#95
- G13
- G7
- G7/11
- G7/6
- G9
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From: * (spideir)-=> "ALL BLUES" INTRO (and Vamp |between each 12-Bar "Verse")--(G7) ||-------------------------------|| ||-------------------------------|| ||o---0-----0-----0-----0-------o|| ||o---0-----2-----3-----2-------o|| ||-------------------------------|| ||----3---3---3---3---3---3------|| 1 & & 2 & &-=>VERSE (12-Bar Blues)--@ Measures 1-4::G7 G13/11 G9 ||*||G13/11 [4x] ||----3------------5------6=======------5--------|| ||o---3h4p3h4p3h4--5------7=======------5-------o|| ||o---3------------5------7=======------5-------o|| ||-----------------------------------------------||Continúa después del anuncio||----===trill===--------------------------------|| 1 & & 2 & &@ Measures 5-6:: C13/11 C C13/11 |*|*| |---3======-----5-----6======---- |---3======-----5-----7======---- |---3======-----5-----7======---- |-------------------------------- |-------------------------------- CM7[*] C13/11 C C13/11 | |-8--|---6======-----5-----3======- |-9--|---7======-----5-----3======- |-9--|---7======-----5-----3======- |----|----------------------------- |----|----------------------------- C | |----5--| |----5--| |----5--| |-------| |-------|1 & & 2 & & 1 & & 2 & & [variation for C measures: ||: --333- --555- --677- --555- :|| 2x (i.e., same as G7 measure, without the major 3rd)] [*sic: whole "C" chordal series better considered as Gm-type chords...] @ Measures 7-8 (G7...): a` la measures 1-4, but only 2ce thru...@ Measures 9-10:: D7#9 |--------------------- |--------------------- |--------------------- |--------------------- |---5=====------5===== |--------------------- Eb7#9 D7#9 |---------------|--------------------- |6============--|---7============----- |5============--|---6============----- |4============--|---5============----- |=======-----5--|---6============----- |---------------|--------------------- ---------------| 6============--| 5============--| 4============--| 5============--| ---------------|1 & & 2 & & 1 & & 2 & &@ Measures 11-12:: G7/11 GM6/9[G13] |---1============----- |---1============----- |---0============----- |--------------------- |--------------------- |---3======-----3----- G7/11 G7/6[*] |3============--|---1============----- |3============--|---1============----- |2============--|---0============----- |---------------|--------------------- |---------------|--------------------- |3======-----3--|---3======-----3----- 0============--|| 0============--|| ---------------|| 3============--|| ---------------|| 3======-----3--||1 & & 2 & & 1 & & 2 & & [* or: 3-345-]--SEQUENCE: Intro--||: Verse-- |Intro :||--Verse(fade out)-- -=>Miles' "head"-ish LEAD over |the twelve-bar pretty easy to follow onthe guitar, especially if yu' start at the VIIth position, e.g.--(G7) ||-----|--7============------|--7---8-7========----------------------| ||-----|---------------------|---------------------------------------| ||--/7-|------------------/7-|------------------------------- tcg ---| ||-----|---------------------|------------------------------- '94 ---| ||-----|---------------------|---------------------------------------| ||-----|---------------------|---------------------------------------| & 1 & & 2 & & 1 & & 2--but then, this is JAZZ, |'n'you're supPOSED to improvize yourself! . . .(but a final note: if you're playin' as "slow & tasty" as Miles himself does over some sections, Wes-style octaves are awfully nice. . . .)--:--tcg )