In The End Decides

Mortal Love

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    For the concept of the supplement
    Which here determines that of the representative image
    Harbors within itself two significations
    Whose cohabitation is as strange as it is necessary.
    The supplement adds itself, it is a surplus
    A plenitude enriching another plenitude
    The fullest measure of presence

    But the supplement supplements
    It adds only to replace.
    It intervenes or insinuates itself in-the-place-of
    If it fills, it is as if one fills a void
    If it represents and makes an image
    It is by the anterior default of a presence

    The sign is always the supplement of the thing itself

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    The supplement will always be
    The moving of the tongue or acting
    Through the hands of others.
    In it everything is brought together:
    Progress as the possibility of perversion
    Regression toward an evil
    That is not natural and that adheres
    To the power of substitution that permits us
    To absent ourselves and act by proxy
    Through representation
    Through the hands of others
    Through the written

    This substitution always has the form of the sign
    The scandal is that the sign, the image
    Or the representer, become forces
    And make the world move

    Blindness to the supplement is the law.

    We must begin ‘wherever we are’
    And the thought of the trace
    Which cannot not take the scent into account
    Has already taught us that it was impossible
    To justify a point of departure absolutely.
    ‘Wherever we are’: In a text where
    We already believe ourselves to be

    Información de la canción

    Composición: Jaques Derrida

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