Disconnecktie

Tuning: Drop D down a half step (C# 
G# C# F# A# D#)

Intro - light distortion
|-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-
|---------------------------------
|-0-----0-----0-----0-----0-------
|---------------------------------
|---------------------------------


Figure 1 - (intro continues under t
|---------------------------------
|---------------------------------
|-2-------2------3----------------
|-0-------0------3-------3----5---
|-0-------0------1-------3----5---
|-0-------0--------------3----5---


Figure 2 - "And I thought all I ne
|-------------------------------
|-------------------------------
|-------------------------------
|-10-10-10-10-10-10-10-10-10-10-
|-8--8--8--8--8--8--8--8--8--8--
|-8--8--8--8--8--8--8--8--8--8--

||--------------------------------------------| 
||--------------------------------------------| 
||--------------------------------------------| 
||10-10-10-10-10-10-10-10-10-10-10-10-10-10---| 
||8--8--8--8--8--8--8--8--8--8--8--8--8--8----| 
||8--8--8--8--8--8--8--8--8--8--8--8--8--8----| 

|-------------------------------
|-------------------------------
|--------------------------/-12-
|--3-3-3-3-/-5-5-5-5-0-----/-10-
|--3-3-3-3-/-5-5-5-5-0----------
|--3-3-3-3-/-5-5-5-5-0----------

||--------------------------------------------| 
||--------------------------------------------| 
||12-12-12--------/-12-12-12-12---------------| 
||10-10-10--0-----/-10-10-10-10---------------| 
||----------0---------------------------------| 
||----------0--------------------00-----------| 

                                    
                           pm
Section 3 "so I begin with the end 
in mind"
|--------------------------------
|--------------------------------
|--------------------------------
|--------------------------------
|--0-0-0-0-0-0-0-0-0-0-0-0-000-0-
|--0-0-0-0-0-0-0-0-0-0-0-0-000-0-

||-------------------------------------------| 
||-------------------------------------------| 
||-------------------------------------------| 
||-------------------------------------------| 
||0------------------------------------------| 
||0------------------------------------------| 

 heavy palm mute
Continúa después del anuncio

after many repeats of the palm muted section, play long ringing chords:
|---------------------------------
|--------------10------10----10---
|-2-----7------7-------7-----7----
|-0-----0------0-------0-----0----
|-0-----0------0------------------
|-0-----0------0------------------

||----------------------------------
||-10-------------------------------
||-7----7~~~~~~---------------------
||-0----0---------------------------
||----------------------------------
||----------------------------------

just play these chords, however many
 times sounds right to you

Soft break - strum each chord a few times near the bridge to get that treble
|------0--------0-----------0---
|------6--------6-----------6---
|------7--------7------55-5-5---
|----7-7------7-7------33-3-3---
|-55-5-5---55-5-5------33-3-3---
|-00-0-0---00-0-0---------------

||-----0--------------8-------------
||-----6--------------8-------------
||55-5-5--------------10------------
||33-3-3-----------10-10---------10-
||33-3-3-----10-10-10-10---10-10-10-
||-----------10-10-10-10---10-10-10-

8---------| 
8---------| 
10--------| 
10--------| 
10--------| 
10--------| 


picking section
|--------8----8--------------0---
|----6-----6-------------6---6---
|------7----7----7---------5-----
|----------------------3---------
|--5---------------5-------------
|--------------------------------

||----------------8------8-------------0-----| 
||6---6----------------------------6---------| 
||--5---5-----10-----10----10--------7-------| 
||-------3------10-----10-----10-------------| 
||--------------------------------5----------| 
||---------10--------------------------------| 


lead section - heard over strummed/picked section with singing
|---------------------------------
|-11---10--6~-----8---6-~----5~---
|---------------------------------
|---------------------------------
|---------------------------------
|---------------------------------

||----------------------------------
||--6--3~~--------------------------
||----------------------------------
||----------------------------------
||----------------------------------
||----------------------------------


Heavy again! lead plays octave notes over this
|--------------------------------
|--------------------------------
|--------------------------------
|--0-0-0-0-0-0-0-0-3-3-3-3-3-3-3-
|--0-0-0-0-0-0-0-0-3-3-3-3-3-3-3-
|--0-0-0-0-0-0-0-0-3-3-3-3-3-3-3-

||----------------------------------
||----------------------------------
||--5-5-5-5-5-5-5-------------------
||3-5-5-5-5-5-5-5-----0-0-0-0-0-0-0-
||3-3-3-3-3-3-3-3-----0-0-0-0-0-0-0-
||3---------------5h7-0-0-0-0-0-0-0-

---------| 
---------| 
---------| 
0--------| 
0--------| 
0--------| 

play the open C# chord for a few 
bars, with the lead playing C# 
octaves over it
then into the final breakdown:
|------------------------------|--
|------------------------------|--
|*------/-7~----------/-7--7~~*|--
|------------------------------|--
|*0-0-0-/-5~0-0-0-0-0-/-5--5~~*|--
|-0-0-0-----0-0-0-0-0----------|--

||----------------------------------
||-------6---------6----------------
||---/-7-------/-7------------------
||0---------0-----------------------
||0--/-5----0--/-5------------------
||0---------0-----------------------

  |____|    |________|
 palm mute

That's about it. Enjoy!

| /  slide up
| \  slide down
| h  hammer-on
| p  pull-off
| ~  vibrato
| +  harmonic
| x  Mute note
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