I Write Sins Not Tragedies

Panic! At The Disco

  • Am
  • Am9
  • C
  • C5
  • D7/F#
  • Dm
  • Dm6
    4
  • F
  • F5-
  • F7M
  • F7M(11+)
  • F7M(5-)
  • G
  • G/B
Continues after the ad
Key:
[Intro] Am9 D7/F# F7M(11+)
[Tab - Intro] E|-------------------------------- B|-------------------------------- G|-----5---4-----5---4-----5---4-- D|---2---2-----2---2-----2---2---- A|-0---------0---------0--------0- E|-------------------------------- E|----------| B|----------| G|--5---4---| D|2---2-----| A|----------| E|----------| E|-------------------------------- B|-----3---------3---------------- G|---5---4-5---5---5-4----4-5-4-5- D|-4---------4----------3--------- A|-------------------------------- E|-------------------------------- E|----------| B|----------| G|--4-5-4-5-| D|3---------| A|----------| E|----------|
[First Part]
Am9 Oh, well imagine, as I'm pacing the pews in a church corridor
D7/F# And I can't help but to hear
F7M(11+) No I can't help but to hear an exchanging of words
Am9 "What a beautiful wedding! What a beautiful wedding!" Says a bridesmaid to a waiter
D7/F# Yes, but what a shame, what a shame
F7M(11+) The poor groom's bride is a whore [Chorus]
Am F I'd chime in with a "haven't you
Dm people ever heard of
G Am Closing a goddamn door?"
F No, it's much better to face these
Dm kinds of things With a sense of poise and
G rationality
Am F I'd chime in, "haven't you people
Dm ever heard of
G Am Closing a goddamn door?"
Continues after the ad
F No, it's much better to face these
Dm kinds of things with a sense of [Second Part]
Am9 Well, in fact, well, I'll look at it this way I mean technically our marriage is
D7/F# saved
F7M(11+) Well this calls for a toast, so, pour the champagne
Am9 Oh! Well, in fact, well, I'll look at it this way I mean technically our marriage is
D7/F# saved
F7M(11+) Well this calls for a toast, so, pour the champagne, pour the champagne
[Bridge] F7M(5-) Dm6 G/B
F7M(5-) Am9 Dm6 [Chorus]
Am F I'd chime in with a "haven't you
Dm people ever heard of
G Am Closing a goddamn door?"
F No, it's much better to face these
Dm kinds of things With a sense of poise and
G rationality
Am F I'd chime in, "haven't you people
Dm ever heard of
G Am Closing a goddamn door?"
F No, it's much better to face these
Dm kinds of things with a sense of [Pós - Refrão]
F7M Dm G/B F7M G Dm Poise and rationality
F7M G/B C5 F7M Again [Chorus]
Am F I'd chime in, "haven't you people
Dm ever heard of
G Am Closing a goddamn door?"
F No, it's much better to face these
Dm kinds of things Dm (stop) With a sense of poise and rationality
Am F I'd chime in, "haven't you people
Dm ever heard of
G Am Closing a goddamn door?"
F No, it's much better to face these
Dm kinds of things with a sense of [Pós - Refrão]
F7M Dm G/B F7M G Dm Poise and rationality
F7M G/B C Again
[Outro] F7M G Dm
F5-
Song details

Composition: Ryan Ross, Spencer Smith, and Brendon Urie

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