African

Peter Tosh

  • C
  • F
  • G
  • G#
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Tono:
(intro 4x) ( F G# G )
C Don't care where you come from
F C As long as you're a black man
G You're an African
C No mind your nationality
F C You have got the identity of an
G African
F 'Cause if you come from Clarendon
G F And if you come from Portland
G F And if you come from Westmoreland
G You're an African
C Don't care where you come from
F C As long as you're a black man
G You're an African
C No mind your nationality
F C You've got the identity of an
G African
F 'Cause if you come Trinidad
G F And if you come from Nassau
G F And if you come from Cuba
G You're an African
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C Don't care where you come from
F C As long as you're a black man
G You're an African
C No mind your complexion
F C There is no rejection
G You're an African
F 'Cause if your plexion high, high, high
G F If your complexion low, low, low
G F And if your plexion in between
G You're an African
C Don't care where you come from
F C As long as you're a black man
G You're an African
C No mind denomination
F C That is only segregation
G You're an African
F 'Cause if you go to the Catholic
G F And if you go to the Methodist
G F And if you go to the Church of Gods
G You're an African
C Don't care where you come from
F C As long as you're a black man
G You're an African
C No mind your nationality
F C You have got the identity of an
G African
F 'Cause if you come from Brixton
G F And if you come from Weesday
G F And if you come from Wingstead
G F And if you come from France
G F And if you come from Brooklyn
G F And if you come from Queens
G F And if you come from Manhattan
G F And if you come from Canada
G F And if you come from Miami
G F And if you come from Switzerland
G F And if you come from Germany
G F And if you come from Russia
G And if you come from Taiwan
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Composición: Peter Tosh

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