E|------------------------------------------------------(~12)-| HARMONICS------------------|
B|------------------------------------------------------(~12)----------------------------|
G|-----------9h11p9------------------------9---------------------------------------------| This line leads into next
D|---------9-9-----(h11)--9----------------9------------------------------------------9--|
A|------11------------9h11---0-----7--9s11---11s9-7---------------------------7-9s11-----|
E|----9------------------------7s9------------------0--------------------7s9-------------|

E|------------9h12p9-----9--------------------------------12----12-------------------------------------------|
B|------------9------h12-9--------------------------------12h14-12-----(9)-----------------------------------|
G|---------9--------------------------------9---------------------13s11-9--9----------------9----------------|
D|-------11---------------------------------9------------------------------9h11-------------9----------------|
A|----------------------------0-----7--9s11---11s9-7----------------------------11s9-7-9s11----11s9-7--------|
E|----9-------------------------7s9------------------0-------------------------------------------------------|



[Verse 1] Exact same idea if you want:

Can have a lot of fun improvising with double stops, the pentaonic/aeolian scale and triads on the C#m, A,
and E chords
Note: Philip plays the the C#m and A all as "add9" chords I believe.

He also does a hammer on pull-off a fair bit on the C#m chord, on the G string: 9h11p9

This i just a general idea of what you can do

E|------------0------------0--------0-----------------------------------------------------------|
B|------------0------------0--------0-----------------------------------------------------------|
G|--------9---9--------6---6--------1--------------------------------------------------| x 2--|
D|------11----11------7----7--------2-----------------------------------------------------------|
A|------------x------------x--------2-----------------------------------------------------------|
E|----9-------9------5-----5--------0-----------------------------------------------------------|
              C#m          A        E       B    B/Bb         C#m   D     E
E|------------0------------0--------0-------------------------0-----5-----7------(12)| HARMONICS--|
B|------------0------------0--------0-------------------------0-----7-----9------(12)------------|
G|--------9---9--------6---6--------1-------8---8----------9--9-----7-----9----------------------|
D|------11----11------7----7--------2------9---9---------11--11-----7-----9----------------------|
A|------------x------------x--------2-------------------------x-----5-----7----------------------|
E|----9-------9------5-----5--------0-----7---8--------9------9-----x----------------------------|

This is the chord progression you can follow for the bulk of the song.

Licks I hear throughout.
He usually plays the C#m and the A and then does some lead stuff over the E
So really just have fun with it, these may not be to the exact note but I think are fairly close.

1st lick: Octaves
Played over the E

E|-------------------------------------|
B|-------------------------------------|
G|-------13s11-11s9--9s6--6s4-4s6s4s6--|
D|-------------------------------------|
A|-------11s9---9s7--7s4--4s2-2s4s2s4--|
E|-------------------------------------|

2nd lick: Basically just plucking around your basic E chord
Hard to tell exactly

E|--------0-----0---0-0-----------------------------------------------------|
B|--------0----0---0---0----------------------------------------------------|
G|--------1---1---1-----1---------------------------------------------------|
D|--------2---------------4-2--2--------------------------------------------|
A|--------2-------------------2--2-2(s4)| into the start of the progression--|
E|--------0-----------------------------------------------------------------|

For the second verse he plays the same chord progression and then messes around with some more licks over the
E chord

3rd lick: Played over the E again (0:54)
1st poistion Pentatonic riff

E|--------------------------------------------------------|
B|-------------------12b-12b-12br12--9----9---------------|
G|-------------------------------------11b--11-9----------|
D|-----------------------------------------------11p9-----|
A|----------------------------------------------------11--|
E|-------------0~| ----------------------------------------|

4th lick:
This one is definitely the hardest to tell because he plays it pretty quick but here is a general premise
After the first little bit I lose it but it sounds like that box lick repeats and then ends on the C# note
listen to the recording for the timing

E|---------------12-----------------9------------------------------------------------------|
B|---------------12h14------------9--12p9-----------9h12-----------------------------------|
G|---------------------13s11-9-11b-------12p11p9-11b-----11s12s11-9--11--------------------|
D|-----------------------------------------------------------------9---11-(| INTO NEXT C#m)--|
A|-----------------------------------------------------------------------------------------|
E|-------0~--------------------------------------------------------------------------------|


No real definitive chorus and verses, as the next part jumps into Philip doing what Philip does best which is
to just blow your mind with wildly fast blues riffs

Maybe one day Ill tab the solo but for now just have some fun using E Dorian/Pentatonic over this progression
Could realistically play these chords however you want but this is how it sounds to me on the record

           E         D           A          G
E|-----------------------------------------------------------------------------------|
B|----------9--------7---------------------------------------------------------------|
G|--------9---9----7---7---------6----------4----------------------------------------|
D|-----------------------------7---7------5---5--------------------------------------|
A|------7---------5------------------------------------------------------------------|
E|---------------------------5-----------3-------------------------------------------|



************************************

| h    Hammer-on
| p    Pull-off
| (n)  Ghost note
| x    Dead note
| b    Bend
| br   Bend release
| ~    Vibrato