Landlady

Phish

  • A
  • A-
  • B-
  • Bbdim
  • Bm
  • Bm7
  • C
  • C#
    4
  • C#m7
    4
  • D
  • D#dim
  • D-
  • E
  • E-
  • Em
  • F#
  • F#m7
  • F#m7/E
  • F#m7/F
    9
  • Fdim
  • G#
  • G#dim
  • G-
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Tono:
Tabbed by: Pauly S Email: P* CHORD VOICINGS (chords not shown are played in open position)
F#m7 G#dim C#m7 D D#dim C Bm7 Fdim E--------------------------------- B--------------5----7-7-----5-3--- G---2----4-----4----7-5-----5-2--- D---2----3-----6----7-7-----5-4--- A---4----5-----4----5-6-----3-2--- E---2----4------------------------ Bbdim G# C# F# E|-----------4--4--2- B|-----2-----4--6--2- G|1----0-----5--6--3- D|0----2-----6--6--4- A|2----1-----6--4--4- E|1----------4-----2-
F#m7 G#dim | / / / / | / / / / | (piano part - 8x: over intro chords)
F#m7 F#m7/F F#m7/E | / / / / | / / / /
F#m7/Eb | (Theme 1) 3/4 time 4/4 time N/C F#m7 C#m7 N/C
E-|---------------------|9-----------|------------|-----------------|
B-|-------------9-10-12-|------12-10-|12-----10-9-|10---12---9------|
G-|----------11---------|------------|------------|--------------9--|
D-|-------11------------|------------|------------|-----------------|
A-|--9-13---------------|------------|------------|-----------------|
E-|---------------------|------------|------------|-----------------| (Eric Berman note: I think it may go like this: N/C F#m7 C#m7 N/C
E-|---------------------|9-----------|------------|-----------------|
B-|-------------9-10-12-|------12-10-|12-----10-9-|10---12---9------|
G-|----------11---------|------------|------------|--9----9---9--9--|
D-|-------12------------|------------|------------|---------------9-|
A-|----13---------------|------------|------------|-----------------|
E-|--14-----------------|------------|------------|-----------------|
G#dim
F#m7
E-|--------------|-----------------|-----------------|--------|
B-|--------------|---------------9-|-----------------|--------|
G-|--------------|------------10---|11---------------|--------|
D-|12----11-9-11-|12--11-9-12------|---11------------|--------|
A-|--------------|-----------------|-----------------|--------|
E-|--------------|-----------------|-----------------|--------|
G#dim
F#m7
E-|-------------------|------------------10-|9---------------|
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B-|-------------------|-------------9-10----|----------------|
G-|-------------------|--------9-11---------|----------------|
D-|--9-12-9-11-9-8-11-|9-11-12--------------|----------------|
A-|-------------------|---------------------|----------------|
E-|-------------------|---------------------|----------------|
Em A D
D#dim D
E-|9-------12-------|10-------------9-|10-9------------10---|
B-|-----------------|-----------------|-----12-10-12--------|
G-|-----------------|-----------------|---------------------|
D-|-----------------|-----------------|---------------------|
A-|-----------------|-----------------|---------------------|
E-|-----------------|-----------------|---------------------|
C#m7 C
Bm7 A
E-|9---------------|---9---------------9-|-----------------|
B-|----------------|12---12-10-9-10------|12------------10-|
G-|----------------|----------------11---|-----------------|
D-|----------------|---------------------|-----------------|
A-|----------------|---------------------|-----------------|
E-|----------------|---------------------|-----------------|
G#dim Fdim F#m7
E-|--------------------|-----------------| B-|12-10-9---------9---|-----------------| repeat Theme 1, hold the G-|--------11-10-------|11---------------| last F# note and chord D-|--------------------|-----------------| for an additional bar, A-|--------------------|-----------------| then proceed to Theme 2.
E-|--------------------|-----------------| Theme 2
Bm E
A
E-|-14-------------10|14-10-----------12----|9----------9-10-|
B-|--------------12--|------12-10-9---------|--------12------|
G-|------------11----|----------------------|----------------|
D-|------------------|----------------------|----------------|
A-|------------------|----------------------|----------------|
E-|------------------|----------------------|----------------|
Bbdim A G# C#
F#
E-|12------|14-------|--------|13------|---------|
B-|--------|---------|16------|--------|14-------|
G-|--------|---------|--------|--------|---------|
D-|--------|---------|--------|--------|---------|
A-|--------|---------|--------|--------|---------|
E-|--------|---------|--------|--------|---------|
Em A
D
E-|----------------10-|9-----------------|---------------9-|
B-|12-----------12----|---------12-------|10---------------|
G-|-------------------|------------------|-----------------|
D-|-------------------|------------------|-----------------|
A-|-------------------|------------------|-----------------|
E-|-------------------|------------------|-----------------|
D#dim D C#m7
G#dim Fdim F#m7
E-|------------------|----------------|------------------|--------|
B-|12-------10-------|9----------9-10-|9-----------------|--------|
G-|------------------|----------------|---------10-------|11------|
D-|------------------|----------------|------------------|--------|
A-|------------------|----------------|------------------|--------|
E-|------------------|----------------|------------------|--------| Repeat theme 1, then intro chords to end. And that's it! Note that I tried to represented note lengths fairly accurately,but I could't think of a good way to notate triplets and odd-length notes. The general rule is each dash represents a 16th note, but I stretched the rule to accomodate double-digit fret numbers 'n' stuff...let your ears be your guide! Also, in places where the chords are G#dim -> Fdim, you can just hold the G#dim if you want, since Fdim is just another inversion of the same chord. | / slide up | \ slide down | h hammer-on | p pull-off | ~ vibrato | + harmonic | x Mute note =============================================================================
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Composición: Trey Anastasio

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