Run Like An Antelope

Introduction:

These are the chord shapes -- listen
 to a recording for
timing and strumming information.

                        D     D    
       H-O   H-O
A    D


E|--------------------------------
B|-------------------10---7---5---
G|---------------7---7----7---6---
D|----------7-9------7----7---7---
A|-----7-9------------------------
E|--10----------------------------

E|----| 
B|----| 
G|7---| 
D|7---| 
A|9---| 
E|----| 

Repeat as necessary for intro.

Then

A  D  (x4)     Then repeat 
Introductory sequence...

Back to A  D, until this part 
(again, listen to a recording
for timing information and when it 
comes:

E|-----------------------|      
B|--10--9--10--9--10--9--|      
G|---7--7---7--7---7--7--|      
D|---7--7---7--7---7--7--|      
A|-----------------------|      
E|-----------------------| then 

E|               
B|               
G|               
D|               
A|               
E|noodle on D... 


E|------------------------| 
B|--10--9--10--11--10--9--| 
G|---7--7---7--12---7--7--| 
D|---7--7---7--13---7--7--| 
A|------------------------| 
E|------------------------| 


Repeat twice...

Then back to the main lick, then A >
 D, the last time ending with
a D chord on the second fret (basic 
D chord).

Then comes the distortion, and the 
progression changes to a
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D C D C G > F one (See below)... 
listen to the recording for timing.
This is the solo Trey does on Lawn 
Boy.. every time I think he
noodles around with it a little.

E|---------------------------5-4-
B|------------------------(3)----
G|----------------------(2)------
D|-------------------------------
A|---5------3-------5------------
E|-------------------------------

E|3-----------------------| 
B|--3---3-5-3-5^(7)-------| 
G|----4-------------------| 
D|------------------------| 
A|------------------------| 
E|------------------------| 


              Palm muting...
E|-------------------------------
B|--5^(7)-5-3--------------------
G|-------------2-2-2-2-2-2-2-2-2-
D|-------------------------------
A|-------------------------------
E|-------------------------------

E|------------------------| 
B|-----------5^(7)-5-3----| 
G|2-2---------------------| 
D|----4-------------------| 
A|------------------------| 
E|------------------------| 


E|----------------5^(7)---------
B|------------------------------
G|--2-2-2-2-2-2-2-------2-2-2-2-
D|------------------------------
A|------------------------------
E|------------------------------

E|-------------------------| 
B|-----5^(7)-5-3-----------| 
G|...2------------2--------| 
D|-------------------------| 
A|-------------------------| 
E|-------------------------| 


E|--------------------------5^(7)-
B|---------3-5-5-5-3---3----------
G|----2-4------------4------------
D|--4-----------------------------
A|--------------------------------
E|--------------------------------

E|---5^(7)-5-2-----------| 
B|-------------5-3--3----| 
G|----------------4------| 
D|-----------------------| 
A|-----------------------| 
E|-----------------------| 


E|---------------| 
B|-15^(17)-15----| 
G|------------14-| 
D|---------------| 
A|---------------| 
E|---------------| 


Then:
  Rake            Fast!!! 
....................

E|---15---15--------15--14--13--
B|--13-------13---15--14--13--12
G|-14---------------------------
D|------------------------------
A|------------------------------
E|------------------------------

E|12--7--6--5--4--3---0------| 
B|--7--6--5--4--3--2--0------| 
G|--------------------0------| 
D|--------------------2------| 
A|--------------------2------| 
E|--------------------0------| 

..Into the JAM!!

Em > D

Here's a little lick that Trey did 
at Shoreline in 1995 at the start:
(Thanks to Mike Flouton)

E|--------------------------------
B|-12h13-11h12------10------------
G|-------------9h11----12-11-10-9-
D|--------------------------------
A|--------------------------------
E|--------------------------------

E|------------------------| 
B|------------------------| 
G|8-7-----7-9-------------| 
D|----8h9-----9p8p7-------| 
A|------------------9p8p7-| 
E|------------------------| 

After the Climax of the jam, it 
cools down but maintains the same
Em > D progression.  Trey might 
noodle over it a little, then goes
into the words :

  Rai rai Rocko (?)

  Marco Esquandolas (?)

  Been you to have any spice/spike 
mon?  (?)

A heavy C chord makes for the 
transition to the next part:

D  C   D   C       G > F (loud!)

I like to play the G > F chords as 
such:

      G     F
E|--------------| 
B|-----8-----6--| 
G|-----7-----5--| 
D|-----9-----7--| 
A|----10-----8--| 
E|--------------| 

Though I'm sure most people will 
stick with the barre chord shapes.

For this part, I can't decide which 
one sounds better / works better - 
the
C chord or the Am or the Am7 chord. 
 They're all very closely related, 
Am
being the sixth of C.  Play it 
however you like, I suppose

           D                    /   
 Run Run Run Run Run Run Run Run/Run
        Am7
 Run Run Run Run Run Run Run

           D                    /   
 Run Run Run Run Run Run Run Run/Run
        Am7
 Run Run Run Run Run Run Run