Guerilla Radio
Rage Against The Machine
Continues after the ad
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Album:The Battle Of Los Angeles Tuning:Standard (E-A-D-G-B-e)---------------------------------- ---------------------------------- ---------------------2-4---------- ---2--4-4--4-4-4-4---2-4---------- ---2--4-4--4-4-4-4---0-2---------- ---0--2-2--0-2-0-2---------------- ---------------------------------- ---------------------------------- --2------------------------------- --2--4--2--6--4------------------- --2--4--2--6--4------------------- -----2--0--4--2------------------- ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- ----0---2-------0----0----2------- -|---------------------------------- -|---------------------------------- -|---------------------------------- -|---------------------------------- -|---------------------------------- -|--0----0----2--------0---0----2--- -|------------ -|------------ -|------------ -|------------ -|------------ -|-------0----+ o + o + o + o *w/ clean tone & wah-wah ** + = closed (toe down) o = open (toe up)---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- -----0h2--------------------------CHORUS Gtrs 1 & 2: w/ Riff A, 7 timesContinues after the adINTERLUDE *4/4 Gtr. 1: w/ Riff A, 8 times Gtr.2 Tacet *4/4 Gtr. 2 w/ Riff A, 4 times **w/ wah-wah & flanger GUITAR SOLO Play 3 times---------------------------------- ---------------------------------- ---------------------------------- ----------4---------2-----4------- ----------9---------7-----9------- ---------------------------------- -|---------------------------------- -|---------------------------------- -|----------------2----------------- -|--2------4------7----------------- -|--7------9------------------------ -|----------------------------------*Gtr.1: Digitech XP100 Patch 14, combine "bypass” and "effect out”---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- ------------0---(0)---(0)---(0)--- -|--------------------------------- -|--------------------------------- -|--------------------------------- -|--------------------------------- -|--------------------------------- -|(0)---(0)---(0)--(0)----3/13----- -|------------- -|------------- -|------------- -|------------- -|0------------ -|------------- ---------------------------------- ----4---------2-----4------------- ----4---------2-----4------------- ---------------------------------- ---------------------------------- ---------------------------------- -|---------------------------------- -|-4b-(4)-2------------------------- -|------------4--------------------- -|---------------------------------- -|---------------------------------- -|---------------------------------- ----------------------------- ----------------------------- ----------------------------- ------x~~~~~~~~--x~~~~~~~~~-- ------x~~~~~~~~--x~~~~~~~~~-- ----------------------------- -|--------------------------------------------------- -|--------------------------------------------------- -|-----------------------------------9--------------- -|x~~~~~---x--x~~~~--9------7--------9--------------- -|x~~~~~---x--x~~~~--9------7--------9--------------- -|---------------------------------------------------*Using a guitar with Les Paul style electronics, set lead volume to 0 and rhythm to 10. Strike the strings while the pickup selector switch is the lead position, then flip the switch to the rhythm position to simulate the attack. Flip switch in specified rhythm. **Chord symbols reflect basic tonality.---------------------------------- ----4---------2-----4------------- ----4---------2-----4------------- ---------------------------------- ---------------------------------- ---------------------------------- -|---------------------------------- -|-4b-(4)h-2------------------------ -|-------------4-------------------- -|---------------------------------- -|---------------------------------- -|---------------------------------- ---------------------------------- ----4---------2-----4----------x-- ----4---------2-----4------------- ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- ------9--------7----9------------- ------9--------7----9------------- ---------------------------------- -|------------------------------ -|4b-(4)-2/4\2-------------6---- -|------------------4----------- -|------------------------------ -|------------------------------ -|------------------------------ ------------------------------ ------------------------------ ------------------9----------- ----9--------7----9----------- ----9--------7----9----------- ------------------------------ -|---------------- -|5/6\5-----3----- -|---------------- -|---------------- -|---------------- -|---------------- ---------------- ---------------- ---------------- ---------------- ---------------- ---------------- -----7-----6------5-------2----- -----7------------5-------2----- -----7------------5-------2----- -------------------------------- -------------------------------- -------------------------------- -|(2)/-------------------------------------------- -|(2)/-------------------------------------------- -|(2)/-------------------------------------------- -|------------------------------------------------ -|------------------------------------------------ -|------------------------------------------------*w/ wha-wha
Composition: Tim Commerford, Brad Wilk, Tom Morello, and Zack de la Rocha
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