At The House

Blake Shelton

  • Am
  • C
  • F
  • G
Continúa después del anuncio
Tono:
C Am G [Verse]
C Am Don't need no tab, don't need no VISA
G F No bouncer looking like a wannabe Vin Diesel
C Am Don't need your friends all getting jealous
G Watching you walk in looking so good
F that you could sell it [Pre Chorus]
Am F Uh-uh, not again
Am Girl, let's get this party started
F where the party always ends [Chorus]
C Got a yellow backdoor porch party light
Am Got a speaker in the window playing Barry White
G You and me out here swaying,
F star-gazing
C Gonna bring it back in, break the candles out
Am Get the mood turned on and the lights out
G Lose a little something black and
F lacy in the couch
C Am At the house
G F At the house
Continúa después del anuncio
Yeah, that's what it's all about [Verse]
C Don't need no plans (nope), no
Am reservations (uh-uh)
G F Nobody calling me up, saying, "where you at, man? We waiting"
C We can keep it on chill (oh,
Am yeah), or get a little obnoxious (uh-huh)
G Go ahead and get your freak on,
F ain't nobody gonna stop us [Pre Chorus]
Am F Uh-uh, girl, just the essentials
Am You and me, a little Smithworks
F Rockin' out this residential [Chorus]
C Got a yellow backdoor porch party light
Am Got a speaker in the window playing Barry White
G You and me out here swaying,
F star-gazing
C Gonna bring it back in, break the candles out
Am Get the mood turned on and the lights out
G Lose a little something black and
F lacy in the couch
C Am G F At the house [Pre Chorus]
Am F Uh-uh, not again
Am Girl, let’s get this party started
F where the party always ends [Chorus]
C Got a yellow backdoor porch party light
Am Got a speaker in the window playing Barry White
G You and me out here swaying,
F star-gazing
C Gonna bring it back in, break the candles out
Am Get the mood turned on and the lights out
G Lose a little something black and
F lacy in the couch
C Am At the house
G Yeah, at the house
F That's what it's all about
C Am Mmm, yeah
G F At the house
Información de la canción

Composición: Craig Wiseman y Jamie Moore

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