Fictional Reality
Slayer
Continúa después del anuncio
Tono:
-// The following is the author's own interpretation of the song, to be used / / for private use and studying / /-------------------------------------------------------------------------/ From the Album DIVINE INTERVENTION Version 1.0 - October 1998 Transcription By: Mike Kimball For Questions, Comments, Newest Version, or Corrections contact at: Check out 's Death/Black Tab Webpage at join the death/black tab emailing list by emailing . - palm mute / - slide up to \ - slide down to ~ - vibrato h - hammer on b - bend p - pull off Suffixes for bend ph - pinch harmonic f - full bend h - half bend * - see comment r - release t - tap bend X - percussion mute ~ - vibrato bend @ - slight palm mute () - ghost note, sustained noteContinúa después del anuncioTuning: Eb(Eb,Ab,Db,Gb,Bb,Eb)Fig. 1 |-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |--------------------2---1------- |--4-0-2-5-2-0-3-0-2---2---4-0-2- ||--------------------- ||--------------------- ||--------------------- ||--------------------- ||------------1---0----- ||5-2-0-3-0-1---1------|___| |___| |___| |___| |___| |___| |___| |___| End Fig. 1 Play four times.Fig. 2 |-------------------------------- |-------------------------------- |-------------------------------- |--------5p4--------------------- |--------5p4--------------------- |--0-0-0-----0-6-0-0-0-0-0-0-0-0- ||-------------------- ||-------------------- ||-------------------- ||5p4---------4------- ||5p4---------4------- ||----0-6-0-0---6-4---|___| |___| |___| |___| |___| |___| |___| |___| End Fig. 2 Play eight times, but on eighth time, play Fig. 3 in place of last three notes in Fig. 2Fig. 3 |-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |--------0-----------0----------- |--2-1-0---4-3-2-1-0---4-3-2-1-0- ||------------------------ ||------------------------ ||------------------------ ||------------------------ ||0-----------0-----1----- ||--4-3-2-1-0---4-3---3-2-|___| |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 3Fig. 4 |-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3- ||------------------ ||------------------ ||------------------ ||------------------ ||------3-0-2-0----- ||0-0-0---------3-2-|___| |___| |___| |___| |___| |___| |___| |___||-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3- ||------------------ ||------------------ ||------------------ ||------------------ ||------3-2-0------- ||0-0-0-------4-3-2-|___| |___| |___| |___| |___| |___| |___| |___||-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3- ||------------------ ||------------------ ||------------------ ||------------------ ||------3-0-2-0----- ||0-0-0---------3-2-|___| |___| |___| |___| |___| |___| |___| |___||-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |--0-0-2-0-0-0-3-0-2-0-0-0-5-0-3- ||------------------ ||------------------ ||------------------ ||------------------ ||------1-0--------- ||0-0-0-----4-3-2-1-|___| |___| |___| |___| |___| |___| |___| |___| End Fig. 4 Return to Fig. 2; but end with Fig. 5. Fig. 5|-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |--------0-----------0----------- |--2-1-0---4-3-2-1-0---4-3-2-1-0- ||------------------------ ||------------------------ ||------------------------ ||------------------------ ||0-----------1-0--------- ||--4-3-2-1-0-----4-3-2-1-|___| |___| |___| |___| |___| |___| |___| |___| |___| End Fig. 5 Play Fig. 4 again.Fig. 6 |-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |--3-----2-----1-----------3----- |----2-1---2-1---2-1-3-2-1---2-1- ||-------------- ||-------------- ||-------------- ||-------------- ||2-----1------- ||--2-1---2-1-3-|___| |___| |___| |___| |___| |___| |___| | End Fig. 6 Fig. 7 Fig. 7 is mostly just hammer-ons at the fourth fret of the open E string; then on the E string, first fret. The rest is made up mostly of parts already shown. Use your ears. Check out 's Death/Black Tab Webpage at