Sex. Murder. Art.

.  - palm mute                  /  - slide up to
\  - slide down to              ~  - vibrato
h  - hammer on                  b  - bend
p  - pull off                        Suffixes for bend
ph - pinch harmonic                      f - full bend    h - half bend
*  - see comment                         r - release      t - tap bend
X  - percussion mute                     ~ - vibrato bend
@  - slight palm mute           () - ghost note, sustained note

Tuning: Eb (Eb,Ab,Db,Gb,Bb,Eb)

Fig. 1
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------5-------7---6---5-------------------------- 
|--4-6-7-4---7-4-6---6---6---7-6-5-------------------- 
|----------------------------------------------------- 

        Play four times.

Fig. 2
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------1-------3---2---1-------------------------- 
|--0-2-3-0---3-0-2---2---2---3-2-1-------------------- 

        Play four times; on fourth time hold last note.

Fig. 3
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|---------------------------------4p3----------------- 
|--3-33334p3333333336p333334p33333---336p333334p33333- 

   |__||___||__||__||___||___||__||___||___||___||__|

                  I & III     II
|----------------|-------    |------- 
|----------------|-------    |------- 
|----------------|-------    |------- 
|----------------|5---4--    |6---5-- 
|----------------|3---4--    |6---5-- 
|--33334p3333333-|-------    |------- 

   |__||___||__|
                Play sequence three times with corresponding chord
                changes; then fourth sequence in full--

fourth sequence
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|---------------------------------4p3----------------- 
|--3-33334p3333333336p333334p33333---336p333334p33333- 

   |__||___||__||__||___||___||__||___||___||___||__|
|-------------------- 
|-------------------- 
|-------------------- 
|------6---5---5---4- 
|------6---5---3---4- 
|--3333-------------- 

                   End Fig. 3

Fig. 4
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|--1-1111114p11111113p11111112p1111111---------------- 

   |__||__||___||__||___||__||___||__|

        Play twice; then twice more, a half-step up.
        Note:  Some of the pull-off notes sound like double-stops; use
your own judgment.

Fig. 5
|--------------------------------------------------- 
|--------------------------------------------------- 
|--------------------------------------------------- 
|--------------------------------------------------- 
|--------------------------------------------------- 
|--3-33333333334p36p34-44444444445p47p45-5555555555- 

   |__||__||__||____||__||__||__||____||__||__||__|
|-------------------------- 
|-------------------------- 
|-------------------------- 
|-------------------------- 
|-------------------------- 
|--6p58p56-6666666---5---4- 

   |____||__||__|
        Play twice, but last time stops on the 6th fret for a power
chord; then--
|----------------------- 
|----------------------- 
|----------------------- 
|------5---------------- 
|------5---------------- 
|--665-3---------------- 

                End Fig. 5


Second verse is the same as first; Fig. 3.

Second chorus is almost the same as first; Fig.4. (End is a little
different; use your ears).

Fig. 6
|----------------------------------------------------- 
|----------------------------------------------------- 
|----------------------------------------------------- 
|------2---5-4---7-6---9-------2---5-4---8-7---10----- 
|------2---5-4---7-6---9-------2---5-4---8-7---10----- 
|--0-1-0-0-3-2-0-5-4-0-7---0-1-0-0-3-2-0-6-5-0-8------ 

        This riff lasts through the rest of the song.  It has one
variation, which uses more of the open E string, but the same chords.