Nice To Be Out

Stereophonics

  • C
  • G
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Tono:
G (320003) NOTE: During the intro and links there is very quick changes between C and Cmaj7 but once you hear the song it's easy to pick up. Each time this is meant to happen it will be coded by 'Criff' Criff = | Cmaj7 C Cmaj7 C | INTRO: Drum fade in | C | Cmaj7 | Criff | C | Cmaj7 | Criff | | C | Cmaj7 | Criff | C | Cmaj7 | Criff |
C* V1: you asked me son, where have you been? let me think, now let me see. i stood once where hitlers feet had stood when he made his speech
G in neuremburg in '38 he tried to build the perfect race.
C* (C) he said "black men ain't gonna run along side our perfect sun.
LINK 1: |(C) | Cmaj7 | Criff | C | Cmaj7 | Criff |
C* V2: there was dallas too, the library; the place they ended kennedy we stood where oswald took his shot, in my opinion there's a bigger plot
G costner's back and to the left, the picket fence, the better bet.
C* (C) paris came and summer went, the tunnels now a flower bed. LINK 2: |(C) | Cmaj7 | Criff | C | Cmaj7 | Criff |
C* V3: the famous turf that made geoff hurst, the vodka stops to quench my thirst. golden gate stroke alcatraz and the fat man failed to get us passes.
G jimmy's corner in raging bull, de niros jokes and bottled pills.
C* (C) elvis tales from mr woodward any richard burton if you could. LINK 3: |(C) | Cmaj7 | Criff | C | Cmaj7 | Criff |
C* V4: tourist here a tourist stops for one more picture, one more god. another top-up for a change, it makes you think, it makes you sane.
G talking more about yourself, there's a mirror to have a check.
C* (C) cheques are always passing through, some depart but a lot come too. LINK 2: |(C) | Cmaj7 | Criff | C | Cmaj7 | Criff |
C* V5: restraunt talk or pick your teeth, you bite your tounge or chew your meat. sleep or drink or drink to sleep and one more week and we will meet.
G we'll talk of what we havn't done since we departed back a month
C* (C) we argue why we have to shout? all in all it's nice to be out
Información de la canción

Composición: Stereophonics (The), Richard Jones y Stewart Cable

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