April 29, 1992 (Miami)
Sublime
- A
- D
- G
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**Normal Tuning** Intro (clean electric guitar w/police footage )e|-------------------------------- B|-------------------------------- G|-------------------------------- D|-------------------------------- A|---5---5--0--5--3--3------3-3--- E|----------------------3-3------- e|----------------------------| B|----------------------------| G|----------------------------| D|----------------------------| A|--5---5--0-5-----------3-3--| E|--------------1-1-1-1-------|Verse RiffD e|-------------------------------- B|-------------------------------- G|---7-7------7-7------7-7------7- D|---7-7------7-7------7-7------7- A|---5-5------5-5------5-5------5- E|-------------------------------- e|---------------------------------- B|---------------------------------- G|7------7-7------7-7------7-7------ D|7------7-7------7-7------7-7------ A|5------5-5------5-5------5-5------ E|---------------------------------- e|-----| B|-----| G|7-7--| D|7-7--| A|5-5--| E|-----| A e|-------------------------------- B|-------------------------------- G|-------------------------------- D|---7-7------7-7------7-7------7- A|---7-7------7-7------7-7------7- E|---5-5------5-5------5-5------5- e|---------------------------------- B|---------------------------------- G|---------------------------------- D|7------7-7------7-7------7-7------ A|7------7-7------7-7------7-7------ E|5------5-5------5-5------5-5------ e|-----| B|-----| G|-----| D|7-7--| A|7-7--| E|5-5--|Bridge Riffe|------------------------------- B|------------------------------- G|------------------------------- D|---0---0--3--5--0-0-0-0--3--5-- A|------------------------------- E|------------------------------- e|----------------------------| B|----------------------------| G|----------------------------| D|0---0--3--5--0-0-0-0--3--5--| A|----------------------------| E|----------------------------| A G A e|----------------------| B|----------------------| G|----------------------| D|---7------5--7--------| A|---7------5--7--------| E|---5------3--5--------|Riff 2e|------------------------------- B|------------------------------- G|------------------------------- D|------------------------------- A|---5--0--5-4-3--3------0h3----- E|-------------------3-3--------- e|--------------------------| B|--------------------------| G|--------------------------| D|--------------------------| A|5---5--0-5-----------3-3--| E|------------1-1-1-1-------|Song Structure (Intro played twice)Continúa después del anuncioVerse RiffD April 26,1992 there was a riot on the steets tell me where were you.A You were sittin' home watchin' your t.v., well I was participating in some anarchy.D First spot we hit it was my liquor store I finally got all the alcohol I can't affordA With red light's flashin' it was time to retire, and then we turned that liquor store into a structure fireD Next stop we hit was the music shop, it only took one brick to make that window dropA Finally we got our own p.a., where do you think I got this guitar that your hearing today. Bridge riff (w/background vocals) Verse RiffD When we returned to the pad to unload everything it dawned on me that I need new home furnishingA So once again we filled the van until it was full, since that day my livin' room's been much more comfortableD Cause everybody in the hood has had it up to here It's getting harder and harder and harder each and every yearA Some kids went in a store with their mother I saw when she came out she was gettin' some pampers'D They said it was for the black man, they said it was for the mexican, but not for the white manA But if you look at the streets it wasn't about Rodney King It's this fucked up situation and the fuckin' policeD It's about coming up and staying on top and screamin 187 on a motherfuckin' copA It's not on the papers, it's on the wall National guard smoke from all around Bridge (with background police beat) Riff 2 with Bridge ending. Verse Riff Let it burn, want to let it burn... Riots on the streets of Miami, Chicago, Long Beach, San Francisco, Kansas City...
Composición: Brad Nowell, Marshall Goodman y Michael Miguel Happoldt
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