Hell Song
Sum 41
- B5
- E5
- F#5
- G#54
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Tono:
Album: Does This Look Infected? Tabbed by: Melissa N. aka Rocker_603 This is my first tab I’ve put out. sry it if sux -- at least I tried. Have a day. Standard Tuning P.M. = palm mute _ = don’t palm mute p = pull off h = hammer on \ = slide down / = slide up . = staccato (cut short) ~ = vibrato (shake the string) INTRO -- x3 (play just G.I first time through then play G.II w/ G.I) (Guitar I)|-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- |----2-4-6-2---2-4-6-2---2-4-6-2- |--4---------2---------4--------- |(Guitar II) ||-------------------------| ||-------------------------| ||-------------------------| ||-------------------------| ||--7-7-6-6-4-4------------| ||2------------------------| | | G#5 E5 B5 |-------------------------------- |-------------------------------- |-------------------------------- |----------------------4-x8------ |--6-x8------2-x8------2--------- |--4---------0------------------- F#5 (Rhythm fig.1)| ||-------------------------| ||-------------------------| ||-------------------------| ||-------------------------| ||4-x8---------------------| ||2------------------------|VERSE 1 -- P.M.G#5 E5 B5 Everybody’s got their problems.F#5 Everybody says the sameG#5 things to you. It’s just a matterE5 B5 how you solve them, and and knowing how to change the (Rhythm Fig. 2)|--------------------------------- |--------------------------------- |--------------------------------- |--------------------------------- |---4-4-4-4-4-4-4-4-4-4-4-4-4-4--- |---2-2-2-2-2-2-2-2-2-2-2-2-2-2---P.M.~~~~~~_~~~~~~~_~~~~~~~_~_~_| things you’ve been throughG#5 E5 B5 I feel I’ve come to realize howF#5 fast life can beG#5 E5 compromised. Step back to seeB5 what’s going on, I can’tContinúa después del anuncioF#5 (INTRO) believe this happened to you. This happened to you. VERSE 2 - W/ Rhythm figure 2G#5 It’s just a problem that we’reE5 B5 faced with, am I not theF#5 only one who hates to stand by.G#5 E5 Complications ended firstB5 in this line, with all theseF#5 pictures running through myG#5 E5 mind. Knowing endlessB5 F#5 consequences, I feel so useless inG#5 E5 this. Get back, step back, and asB5 F#5 for me, I can’t believe. CHORUS -- Rhythm Fig. 1G#5 E5 A part of me won’t agree cause IB5 don’t know if it’s forF#5 G#5 E5 sure. Suddenly, suddenly I don’tB5 F#5 feel so insecure. A partG#5 E5 of me won’t agree cause I don’tB5 F#5 know if it’s for sure.G#5 E5 B5 Suddenly, suddenly I don’t feelF#5 so insecure anymore.SOLO -- truth be told it’sn’t 100% correct |------------------------------ |--------------------9-9-9-9-7- |------------------------------ |------------------------------ |--6-6--6-6--6-6--6------------ |--4-4--4-4--4-4--4------------ . . . . . . . ||---------------------------| ||------9-9-9-9-7------------| ||9\(8)-----------9\(8)------| ||---------------------------| ||---------------------------| ||---------------------------| |--------------------------------- |--7-7-7-7-5---------------------- |------------9\8-6-8/9h11p9\8h9p8- |--------------------------------- |--------------------------------- |--------------------------------- ||------------------------| ||------------------------| ||6--8-10-12-13-12-10\8-10| ||---x-x--x--x--x--x-\x-x-| ||---6-8--10-11-10-8-\6-8-| ||------------------------| |--------------------------------- |----------------------9/11-11/12- |-12-----------8~~-9~~------------ |-x---9~~-11~~-------------------- |-10------------------------------ |--------------------------------- ||------------------9-11--| ||12/14-14/16-14\12-------| ||------------------------| ||------------------------| ||------------------------| ||------------------------| |-11-11-11-11-9-7-9-11-11-9-7-9-7- |--------------------------------- |--------------------------------- |--------------------------------- |--------------------------------- |--------------------------------- ||9-11-14-14-11-9-7-9-11--| ||------------------------| ||------------------------| ||------------------------| ||------------------------| ||------------------------| |-14-14-11-9--------------------- |------------12-11-11-12-12-10-9- |-------------------------------- |-------------------------------- |-------------------------------- |-------------------------------- ||-------------------------| ||9-10-10-------10---------| ||--------12-12----11-9-9--| ||-------------------------| ||-------------------------| ||-------------------------| |--------------------------------- |--------------------------------- |-11-9-8-8-9-6-6-8-6-4-4---------- |--------------------------------- |--------------------------------- |--------------------------------- ||------------------------| ||------------------------| ||------------------------| ||------------------------| ||-6\4/6\-----------------| ||-4\2/4\-----------------|^ Let ring for a while BRIDGEG#5 E5 B5 Everybody’s got their problems.F#5 Everybody says the sameG#5 things to you. It’s just a matterE5 B5 how you solve them, whatF#5 else are we supposed to do? CHORUS Fill|--------------------------------- |--------------------------------- |--------------------------------- |--6-4-2-------------------------- |--------6-4---------------------- |------------6-2-4----------------G#5 E5 A part of me won’t agree cause IB5 don’t know if it’s forF#5 G#5 E5 sure. Suddenly, suddenly I don’tB5 F#5 feel so insecure. A partG#5 E5 of me won’t agree cause I don’tB5 F#5 know if it’s for sure.G#5 E5 B5 Suddenly, suddenly I don’t feelF#5 so insecure anymore. ENDING -- I dunno what he’s saying. Correct me if I’m wrong. There’s also a 2nd guitar in here but I don’t feel like figuring it out.G#5 E5 And what are things that matterB5 F#5 the most? Never end upG#5 E5 knowing how it goes. Now that it’sB5 going so bad, I don’tF#5 G#5 think I knew what I had. And whatE5 are things that matterB5 F#5 the most? Never end up knowing howG#5 E5 it goes. Now that it’sB5 F#5 going so bad, I don’t think I knewG#5 what I had.