Metropólis

The Church

  • A
  • A9
  • Bsus4/E
  • C#m
    4
  • C#m7
    4
  • E
  • F#m
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Tono:
Intro: E
Riff: E A9 E|-----------------------------| B|--9h10-10-10--9----------12--| G|----------------9------9-----| D|------------------9--9-------| A|-----------------------------| E|-----------------------------|
E A9 Bsus4/E There'll never be another quite like you
E A9 Bsus4/E I'm so involved with everything you do
E A9 Bsus4/E Don't say nothing good will ever come of this
E A9 Bsus4/E Don't say the damage is worse than it is Refrão:
C#m7 F#m A E Back in Metropolis, circuses and elephants
C#m7 F#m A E Where the oranges grew
C#m7 F#m A E Back in Metropolis nothing can ever topple us
C#m7 F#m A E When I'm standing with you
Intro: E A9
E A9 Bsus4/E You stare down at some crowd from your trapeze
E A9 Bsus4/E And when you fell they fell down on their knees
E A9 Bsus4/E And when you broke they scrambled for a piece
E A9 Bsus4/E And when you spoke I felt their anger freeze Refrão:
C#m7 F#m A E Back in Metropolis, circuses and elephants
C#m7 F#m A E Where the oranges grew
C#m7 F#m A E Back in Metropolis nothing can ever topple us
C#m7 F#m A E When I'm standing with you
C#m7 F#m A E Back in Metropolis talk about a holocaust
C#m7 F#m A E And then visit the zoo
C#m7 F#m A E Back in Metropolis the weather is ridiculous
C#m7 F#m A E What's it all leading to Ponte:
A C#m F#m C#m A C#m A E And it's only a day away
A C#m F#m C#m A C#m A E We could leave tonight
A C#m F#m C#m A C#m A E You could sleep along the way
A C#m F#m C#m A C#m A E Dream in black and white
Intro: E A9
C#m7 F#m A E Back in Metropolis, circuses and elephants
C#m7 F#m A E Where the oranges grew
C#m7 F#m A E Back in Metropolis nothing can ever topple us
C#m7 F#m A E When I'm standing with you
C#m7 F#m A E Back in Metropolis talk about a holocaust
C#m7 F#m A E And then visit the zoo
C#m7 F#m A E Back in Metropolis the weather is ridiculous
C#m7 F#m A E What's it all leading to ..
Información de la canción

Composición: Marty Willson-Piper, Steve Kilbey, Peter Koppes y Richard Ploog

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