Sweet Payne

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E|-------|E|----------------|E|-----

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                             SWEET PAYNE - The Hold Steady

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Tuning:Standard

From "Almost Killed Me"
"I always dream about a unified 
scene"


A
Payne avenue lives up to its name 
some nights it's painful and 
strange.
D
The whole city seemed sane in the 
day.
N.C.
But some nights it seems distressed 
and deranged.
A                        F#m
The east side is where we met with 
those guys
     C#m                        
that said they'd get us high but 
      D
that changed.
            E
Now they're down in the basement.
          D
They're bashing out his brains.
A                                
Kids are getting cut up with the 
E
motorcycle chains.

A
St. Paul had it all when we called.
D
They were maxing out on medicine.
A
A shaved head. The blood on the bed.
D
Those guys you'd recognize.
              E
They had the same tattoos as gideon.
A                    F#m
Strong stuff and she had more than 
enough.
         C#m                     
She was slumping over smiling and 
  D
sailing off with cherubim.
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    E                        
the cityscape skins are kinda 
 D
kicking it again.
A                   E
They're gonna show these kids some 
discipline.

F#m
Gideon's been living up in bay city,
 michigan.
N.C.
He's been workng at the michelin.
He got messed up with some messed up
              E E E E  F#m
 magicians.

We got so highsome nights michigan 
looked just like a mitten
                          E E E E
some nights we got fried.
 F#m


Strung out on residuals and visuals 
and laser shows.

Reach into the speaker and try to 
hold on to the quarter notes.

E|E|----------------|E|-----------
B|-7-9--10----12--14--14----19-17-
G|E|----------------|E|-----------
D|E|----------------|E|-----------
A|E|----------------|E|-----------
E|E|----------------|E|-----------

E|-----|E|----------------|---------
B|17-17-17-19-17-14-12-10-10-|      
G|-----|E|----------------|---------
D|-----|E|----------------|---------
A|-----|E|----------------|---------
E|-----|E|----------------|---------

E|--|    
B|       
G|--|    
D|--|    
A|--|    
E|--| x1 


E|E|----------------|E|-----------
B|-7--9--10----12--14--14----19---
G|E|----------------|E|-----------
D|E|----------------|E|-----------
A|E|----------------|E|-----------
E|E|----------------|E|-----------

E|-----|E|----------------|---------
B|-17----14----12----10------|      
G|-----|E|----------------|---------
D|-----|E|----------------|---------
A|-----|E|----------------|---------
E|-----|E|----------------|---------

E|--|    
B|       
G|--|    
D|--|    
A|--|    
E|--| x3 

A
I always dream about a unified 
scene.
D                      E
I always dream about a unified 
scene.
A
There's james king and king james 
and james dean.
D                            
At a table in the corner of my 
  E
unified scene.
A
They want a double order of love and
 respect.
D                                 
They said they just got back from 
      E
up in hostile, massachussetts.
A
Girl I've seen your friend,she looks
 nothing like jada pinkett.
D                                  
I think you got something in those 
E
cigarettes.

F#m                     A
Gideon was living up in south 
minneapolis.
           E             B
He was the cowboy on the crosstown 
bus.
F#m                            A 
All the little phillies at the 
             E                
yukon club are gunning for the 
       B
goldrush.
F#m                          A
We got tangled in electrical fences.
E                              B
We got wrapped up in the indian 
fringes.
F#m                            A 
All the little phillies at the 
             E
yukon club are gunning for the 
goldrush.
B
They just can't get enough.

Solo:

e|E|----------------|E|-----------
B|-12b14----17----14E|------------
G|---------------16-14--14h16p14E|
D|E|E|E|----------------|E|-------
A|E|E|E|----------------|E|-------
E|E|E|E|----------------|E|-------

e|-----|--14----12E|-----------
B|----|--------------15----14--
G|----------------|E|----------
D|---------|E|----------------|
A|---------|E|----------------|
E|---------|E|----------------|

e|-----|E|----------------|-----|       
B|15p14p12h14-15-14-12-|                
G|------|E|----------------|-|          
D|E|----------------|------------|---|| 
A|E|----------------|------------|---|| 
E|E|----------------|------------|---|| 


E|E|----------------|E|---------
B|E|----------------|E|---------
G|------14------14------14------
D|-14h16---14h16---14h16---14h16
A|E|----------------|E|---------
E|E|----------------|E|---------

E|-------|E|----------------|E|----------------|| 
B|-------|E|----------------|E|----------------|| 
G|14------14------14-16-16b17b16p14-|             
D|---14h16---14h16E|----------------|--|          
A|-------|E|----------------|E|----------------|| 
E|-------|E|----------------|E|----------------|| 


E|E|----------------|E|--------
B|-17p14--17p14--17p14--17p14--
G|------14-----14-----14-----14
D|E|----------------|E|--------
A|E|----------------|E|--------
E|E|----------------|E|--------

E|--------|E|----------------|--------
B|17p14--17p14-14h15h17-15-14--17-|   
G|-----14E|----------------|---------|
D|--------|E|----------------|--------
A|--------|E|----------------|--------
E|--------|E|----------------|--------

14---| 
       
       
-----| 
-----| 
-----| 

That's about 2/3 of the end solo. 
Quite frankly it's very difficult 
and tedious to tab.
may come back to it on a rainy day, 
but it's fairly easy to improve.

END
---
Tablature Legend

E|----------------| 

 h   - hammer-on
 p   - pull-off
 b   - bend
 /  - slide into or out of (from/to 
"nowhere")