Sweet Payne

The Hold Steady

  • A
  • B
  • C#m
    4
  • D
  • E
  • F#m
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Tono:
E|E|E|----------------|E|----------------|E|----------------|E|----------------|------------|- E|--| SWEET PAYNE - The Hold Steady E|E|----------------|E|----------------|E|----------------|E|----------------|------------|
Tuning:Standard From "Almost Killed Me" "I always dream about a unified scene"
A Payne avenue lives up to its name some nights it's painful and strange.
D The whole city seemed sane in the day. N.C. But some nights it seems distressed and deranged.
A F#m The east side is where we met with those guys
C#m D that said they'd get us high but that changed.
E Now they're down in the basement.
D They're bashing out his brains.
A E Kids are getting cut up with the motorcycle chains.
A St. Paul had it all when we called.
D They were maxing out on medicine.
A A shaved head. The blood on the bed.
D Those guys you'd recognize.
E They had the same tattoos as gideon.
A F#m Strong stuff and she had more than enough.
C#m D She was slumping over smiling and sailing off with cherubim.
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E D the cityscape skins are kinda kicking it again.
A E They're gonna show these kids some discipline.
F#m Gideon's been living up in bay city, michigan. N.C. He's been workng at the michelin.
E E E E F#m He got messed up with some messed up magicians. We got so highsome nights michigan looked just like a mitten
E E E E F#m some nights we got fried. Strung out on residuals and visuals and laser shows. Reach into the speaker and try to hold on to the quarter notes.
E|E|----------------|E|----------------|E|----------------|-----------| B|-7-9--10----12--14--14----19-17-17-17-17-19-17-14-12-10-10-| G|E|----------------|E|----------------|E|----------------|-----------| D|E|----------------|E|----------------|E|----------------|-----------| A|E|----------------|E|----------------|E|----------------|-----------| E|E|----------------|E|----------------|E|----------------|-----------| x1 E|E|----------------|E|----------------|E|----------------|-----------| B|-7--9--10----12--14--14----19----17----14----12----10------| G|E|----------------|E|----------------|E|----------------|-----------| D|E|----------------|E|----------------|E|----------------|-----------| A|E|----------------|E|----------------|E|----------------|-----------| E|E|----------------|E|----------------|E|----------------|-----------| x3
A I always dream about a unified scene.
D E I always dream about a unified scene.
A There's james king and king james and james dean.
D E At a table in the corner of my unified scene.
A They want a double order of love and respect.
D E They said they just got back from up in hostile, massachussetts.
A Girl I've seen your friend,she looks nothing like jada pinkett.
D E I think you got something in those cigarettes.
F#m A Gideon was living up in south minneapolis.
E B He was the cowboy on the crosstown bus.
F#m A E B All the little phillies at the yukon club are gunning for the goldrush.
F#m A We got tangled in electrical fences.
E B We got wrapped up in the indian fringes.
F#m A E All the little phillies at the yukon club are gunning for the goldrush.
B They just can't get enough.
Solo: e|E|----------------|E|----------------|--14----12E|----------------|E|----------------|-----| B|-12b14----17----14E|----------------|--------------15----14--15p14p12h14-15-14-12-| G|---------------16-14--14h16p14E|----------------|E|----------------|E|----------------|-| D|E|E|E|----------------|E|----------------|E|----------------|E|----------------|------------ A|E|E|E|----------------|E|----------------|E|----------------|E|----------------|------------ E|E|E|E|----------------|E|----------------|E|----------------|E|----------------|------------ E|E|----------------|E|----------------|E|----------------|E|----------------|| B|E|----------------|E|----------------|E|----------------|E|----------------|| G|------14------14------14------14------14------14-16-16b17b16p14-| D|-14h16---14h16---14h16---14h16---14h16---14h16E|----------------|--| A|E|----------------|E|----------------|E|----------------|E|----------------|| E|E|----------------|E|----------------|E|----------------|E|----------------|| E|E|----------------|E|----------------|E|----------------|--------14---| B|-17p14--17p14--17p14--17p14--17p14--17p14-14h15h17-15-14--17-| G|------14-----14-----14-----14-----14E|----------------|---------| D|E|----------------|E|----------------|E|----------------|-------------| A|E|----------------|E|----------------|E|----------------|-------------| E|E|----------------|E|----------------|E|----------------|-------------|
That's about 2/3 of the end solo. Quite frankly it's very difficult and tedious to tab. may come back to it on a rainy day, but it's fairly easy to improve. END --- Tablature Legend
E|----------------|
h - hammer-on p - pull-off b - bend / - slide into or out of (from/to "nowhere")
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