Continues after the ad
Key:
Capo:
From: * (Michael Hanson) NOTE: I did not TAB this myself. Transcribed By: Walter Tien Capo 4th fret Intro ||------6--6-----6--4--|--4-----4--------4--|-----6--6-----6--6--| ||------7--7-----7--7--|--7-----7--7-----7--|-----7--7-----7--7--| ||*-----6--6-----6--6--|--6--6--6-----6--6--|-----8--8-----8--8--| ||*--4--4--4-----4--4--|--4-----4--------4--|--4--4--4-----4--4--| ||------------4--------|--------------------|-----------4--------| ||---------------------|--------------------|--------------------||-----6--6--6--6--4---|| |-----7--7--7--7--7---|| |-----9--9--9--9--9--*|| |--4--4--4--4--4--4--*|| |---------------------|| |---------------------||D Bm A# CD F# G F#G D A G EG F# G A INTROD Bm A# CD F# G F#G D A G EG F# G A D A C E/Gb E (ARPEGIATE)Em F# G A DC G C G|--0--0--0-----| |--0--0--0--2--| |--0--0--0--2--| |--2--1--0--2--| |--2--2--2--0--| |--0--0--0-----|INTROD Bm A# CD F# G F#G D A G EG F# G AD A C E/Gb EEm F# G A INTROC# D| -- MikeDate: Thu, 21 Sep 1995 09:48:52 -0400 (EDT) From: Michael Smith humbly submitted and with thanks to Michael Hanson who submitted the tablature. here are the lyrics and the chords for the song 'NANCI' by chord diagram at end of document, please feel free to make changes enjoy and please share. intro: (2x)F# D#m D I can't believe you You bend your wordsE F# Like Uri Geller's spoons NotA# quite safe hereB A# When every judgment Seems toB smack of doom F# C# B G# G#__ Are you OK? I'm just fineG# A# B A# BC# F# intro (1x)F# D#m D A legal precedent Could set us straightE F# But no one's brought up suitA# And I'm assumingB A# That if they did The pointB would still be muteContinues after the adF# C# B G# G#__ Are you joking? I'm just fineG# A# B A# BC# F#A E ? G# No I've changed my mindG# A# B A# BC# F# F#E B Still we walk without quite seeing thingsE And I'll admit there's not thatB much to seeB A# 1 2 And I will follow through3 (4)C# And expect that you will follow suit intro (1x)F# D#m D I can't believe you You bend your wordsE F# Like Uri Geller's spoons NotA# quite safe hereB A# When every judgment Seems to smack of doom F# C# B G# G#__ Are you OK? I'm just fineG# A# B A# BC# F#A E ? G# No I've changed my mindG# A# B A# BC# F# F# intro: Loretta's fine Loretta's fine... ___________ ___________ ___________ ___________ intro: | | | | | | | | | | | | | | | | | | | | | | | | | | | O | O | | | O | | | | | O | O | | | O | O | | | | O | | | | | O | | | | | O | | | | | O | | | | | | | | | | | | | | | | O | | | | | | | | | | | | | | | | | | | | | | | | | | | | | O | | chords (capo on 4th fret) F#___________ D#m___________ D___________ E___________ A#___________ | | | | | | | | | | | | | - - - - O | | | | O | | | | | | | | | | O | O | - - - - O | | | | | | | | | | | | | | | | O O | | | | O | | | | | O | | | O O O | | | O | | | | | | O | | | | | | | | | | O O | | | | | | | | | O | | | | | | O | | | B___________ C#___________ G#___________ G#m___________ ?___________ | | | | | | | | | | | | | | | O | | | | | | | | | | | O | | | O | | | | | | O O O | | O O | | | | O O | | | | O | | | | O | | | | O | | | | | | | | | | | | | | | | | | | | O | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | ___________ ___________ ___________ ___________ 1 | | | | | | 2 | | O | | | 3 | | | | | | 4 | | | | | | | O O | | | | O | | | | | O | | | | | | O O O | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | Michael Smith * Date: Tue, 22 Apr 97 18:36:53 -0700 From: ROBERT_ANDERSEN@* ** NOTE ** This version augments the TAB work of Michael Hanson by giving a complete transcription of the song with the chords and fingerings notated from the capo (at the 4th fret) as opposed to the nut. The chords are slightly different from Michael Smith's chord transcription, but the lyric is exactly the same. My work was done independently, and is humbly submitted to improve on what is already in existence in this suberb archive. Enjoy!----------------------------- |---------------------------------- |----------transcribed by Robert Andersen capo at 4th fret [sounds in the key of F#]: FIGURE #1 (play twice): D Daug5 D6 D7 ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' 'e-----2-2-----2-2-----2-0--- b-----3-3-----3-3-----3----- g-----2-2-----2-2-----3----- D-0---------------0--------- A---------0----------------- E--------------------------- |2-0---|-----2-2-----2-2-----2- |3-----|-----3-3-----3-3-----3- |3-----|-----4-4-----4-4-----5- |------|-0---------------0----- |------|---------0------------- |------|----------------------- 2.....----| 3.....----| 5.....----| ----------| ----------| ----------|FIGURE #2:D D/A Gsus4/B ^ ' ' ' ^ ' ' ' ^ ' ' 'Gsus4/D Bb Bb/F C ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' 'C/G ' ^ ' ' 'e-----2-2-----2-2-----2-2---- b-----3-3-----3-3-----2-2---- g-----2-2-----2-2-----0-0---- D-0-----------------------0-- A---------0-------2---------- E---------------------------- |-2-2-|---------------------------- |-2-2-|-----3-3-----3-3-----1-1---- |-0-0-|-----3-3-----3-3-----0-0---- |-----|-----3-3-----3-3-----2-2---- |-----|-1---------------3---------- |-----|---------1---------------3-- |-----| |-1-1-| |-0-0-| |-2-2-| |-----| |-----|I can't believe you you bend your words like Uri Geller'sD D/A F# ^ ' ' ' ^ ' ' ' ^ ' ' 'F#/C# G G/B F# ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' 'F#/C# ' ^ ' ' 'e-----2-2-----2-2------------ b-----3-3-----3-3-----2-2---- g-----2-2-----2-2-----3-3---- D-0-------------------4-4---- A---------0---------------4-- E-----------------2---------- |-----|---------------------------- |-2-2-|-----0-0-----0-0-----2-2---- |-3-3-|-----0-0-----0-0-----3-3---- |-4-4-|-----0-0-----0-0-----4-4---- |-----|---------2---------------4-- |-----|-3---------------2---------- |-----| |-2-2-| |-3-3-| |-4-4-| |-----| |-----|spoons Not quite safe here when every judgment seems to smack ofG G D ^ ' ' ' ^ ' ' ' ^ ' ' 'Csus2 G/B G E ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' 'e---------------------2-2---- b-----0-0-----0-0-----3-3---- g-----0-0-----0-0-----2-2---- D-----0-0-----0-0-0---------- A-------------------------3-- E-3-------3------------------ |-3-3-|-----3-3-----3-3-0---------- |-3-3-|-----3-3-----3-3-0---------- |-0-0-|-----0-0-----0-0-1---------- |-----|-----------------2---------- |-----|-2---------------2---------- |-----|---------3-------0----------doom Are you okay? ______________ I'm just fineE G ^ ' ' ' ^ ' ' ' ^ ' ' 'G/F# A A/E ^ ' ' ' ^ ' ' ' ^ ' ' 'e-0---------------|---------- b-0---------------|------0-0- g-1---------------|------0-0- D-2---------------|------0-0- A-2---------------|---------- E-0-----------0-2-|--3------- |------------------------| |----0-0-----2-2-----2-2-| |----0-0-----2-2-----2-2-| |----0-0-----2-2-----2-2-| FIGURE |--------0---------------| |2---------------0-------| | | | |#1 | |[same beginning as figure #2]D D/A Gsus4/B Gsus4/D A legal precedent couldBb Bb/F C set us straight but no one's broughtC/G upD D/A F# F#/C# suit And I'm assuming thatG F# if they did the point would stillG be mootD Csus2 G/B Are you joking?___________G E E I'm just fine G G/F# A A/E [to FIGURE #3] FIGURE #3D D/A F# ^ ' ' ' ^ ' ' ' ^ ' ' 'F#/C# C C B7 ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' 'B7/F# ' ^ ' ' 'e-----2-2-----2-2------------ b-----3-3-----3-3-----2-2---- g-----2-2-----2-2-----3-3---- D-0-------------------4-4---- A---------0---------------4-- E-----------------2---------- |-----|---------------------2-2---- |-2-2-|-----1-1-----1-1-----0-0---- |-3-3-|-----0-0-----0-0-----2-2---- |-4-4-|-----2-2-----2-2-----1-1---- |-----|-3-------3-------2---------- |-----|-------------------------2-- |-2-2-| |-0-0-| |-2-2-| |-1-1-| |-----| |-----|No I've changed my mindG G/F# A ^ ' ' ' ^ ' ' ' ^ ' ' 'A/E D Dsus4 D ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' 'Dsus4 ' ^ ' ' 'e---------------------------- b-----0-0-----0-0-----2-2---- g-----0-0-----0-0-----2-2---- D-----0-0-----0-0-----2-2---- A-----------------0---------- E-3-------2---------------0-- |-----|-----2-2---3-2-------2-2--- |-2-2-|-----3-3-----3-------3-3--- |-2-2-|-----2-2-----2-------2-2--- |-2-2-|-0---------------0--------- |-----|--------------------------- |-----|--------------------------- |3-2---| |--3---| |--2---| |------| |------| |------|BRIDGE:C C/G C ^ ' ' ' ^ ' ' ' ^ ' ' 'C/G G G/B G ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^Gmaj7 G6 ' ' 'e---------------------------- b-----1-1-----1-1-----1-1---- g-----0-0-----0-0-----0-0---- D-----2-2-----2-2-----2-2---- A-3---------------3---------- E---------3---------------3-- |-----|-----------------3-2---0--- |-1-1-|-----0-0-----0-0-0-----0--- |-0-0-|-----0-0-----0-0-0-----0--- |-2-2-|-----0-0-----0-0-0--------- |-----|---------2-------2--------- |-----|-3---------------3--------- |------| |3-----| |----0-| |------| |------| |------|And still we walk without quite seeing thingsC C/G C ^ ' ' ' ^ ' ' ' ^ ' ' 'C/G G G/B G ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' 'e---------------------------- b-----1-1-----1-1-----1-1---- g-----0-0-----0-0-----0-0---- D-----2-2-----2-2-----2-2---- A-3---------------3---------- E---------3---------------3-- |-----|--------------------------- |-1-1-|-----0-0-----0-0-0-1-3-1--- |-0-0-|-----0-0-----0-0-0--------- |-2-2-|-----0-0-----0-0-0--------- |-----|---------2-------2--------- |-----|-3---------------3--------- |------| |0-----| |------| |------| |------| |------|And I'll admit there's not that much to see AndEm Em(maj7) ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ 'Em7 A ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' 'A/E 'e-0---------------0---------- b-0---------------0---------- g-0---------------0---------- D-2---------------1---------- A-2---------------2---------- E-0---------------0---------- |-----|-0-------------------------- |-----|-0-------------------2-2---- |-----|-0-------------------2-2---- |-----|-0-------------------2-2---- |-----|-2---------------0---------- |-----|-0-----------------------0-- |-----| |-2-2-| |-2-2-| |-2-2-| |-----| |-----|I will follow through and expect that you would follow FIGURE #1 (one time) ...suit repeat FIGURE #2, except with FIGURE #3 ending: I can't believe you, you bend your words like Uri Geller's spoons Not quite safe here, when every judgment seems to smack of doom Are you okay?______ I'm just fine [these two bars twice]: D Daug5 D6 D7 ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' 'e-----2-2-----2-2-----2-0--- b-----3-3-----3-3-----3----- g-----2-2-----2-2-----3----- D-0---------------0--------- A---------0----------------- E--------------------------- |2-0---|-----2-2-----2-2-----2-2--- |3-----|-----3-3-----3-3-----3-3--- |3-----|-----4-4-----4-4-----5-5--- |------|-0---------------0--------- |------|---------0----------------- |------|--------------------------- 2-3---| 3-3---| 5-5---| ------| ------| ------|fine Loretta's fine Loretta'sD Db D ^ ' ' ' ^ ' ' ' ^ ' ' ' ^ ' ' 'e-2-------1------- b-3-------2------- g-2-------1------- D-0-------0------- A----------------- E----------------- |2...........----| |3...........----| |2...........----| |0...........----| |----------------| |----------------|fine following the tempo (which I have done my best to designate). I would listen to the CD (which I would highly recommend if you don't already have it). This will help with the vocal line as it changes from chromatic keys like G to F# and back -- really, this is what makes the song sound so cool. Have fun! I welcome any comments or corrections: *
Composition: Glen Phillips, Cream Cheese, Cheez-It, and Randel S Guss
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