Intro: E|----------14-14-14-12------14-14-14-12---| B|---------------------15-12------------15-| G|-----------------------------------------| D|-----------------------------------------| A|-----------------------------------------| e|--------------------------------|-------|--| Phrase 1 E|---------14-14-14-12------14-14-14-12----| B|-15~~14~~-----------15-12-------------15-| G|-----------------------------------------| D|-----------------------------------------| A|-----------------------------------------| e|--------------------------------|-------|--| Phrase 2 E|---12----14-14-14-12-------14-14-14-12---| B|-15~-14~-------------15-12------------15-| G|-----------------------------------------| D|-----------------------------------------| A|-----------------------------------------| e|--------------------------------|-------|--| When Adam plays live he seems to start playing an octave down around the 1:28 mark – doesn’t happen in the recording, but you can slide down to 7th fret on the B string and carry it on there if you want to vary it up a little: Phrase 3 E|---12----14-14-14-12-------------------| B|-15~-14~-------------15-12///7-7-7-5---| G|-------------------------------------7-| D|---------------------------------------| A|---------------------------------------| e|--------------------------------|-------|| Phrase 4 E|------------------------------| B|---5----7-7-7-5-----7-7-7-5---| G|-7~-6~----------7-4---------7-| D|------------------------------| A|------------------------------| E|------------------------------| Meanwhile, Mikey’s there in the background tremoloing away like a madman somewhere around the 15th/14th fret on the A string. He’s pretty hard to hear, so if you fancy playing that part then just screw around with it until you find something you’re happy with. Mikey’s bit E|----------------| B|----------------| G|----------------| D|-----------tr14-| A|-tr15-tr14------| E|----------------| (y) This continues until about 2:10, at which point both Adam and Mikey trail off to make room for the bass. And Adam’s glorious accent. “Retrace, all my steps…” E|--------------------------| B|--------------------------| G|------ta| ke a break,------- D|----------fr| iend---------- A|--------------------------| E|--------------------------| Post-break, Adam seems to thrash away at Bm, A, and then a descending series of power chords following the guitar phrase until the song winds down. Again, it’s a little hard to hear so this is my best approximation: E|-7-7-7-7-7-7--5-5-5-5-5-5--------------------| B|-7-7-7-7-7-7--5-5-5-5-5-5--------------------| G|-7-7-7-7-7-7--6-6-6-6-6-6--11-11-11-11-9-7-4-| D|-9-9-9-9-9-9--7-7-7-7-7-7--11-11-11-11-9-7-4-| A|-9-9-9-9-9-9--7-7-7-7-7-7--9--9--9--9--7-5-2-| E|-7-7-7-7-7-7--5-5-5-5-5-5--------------------| From live videos I’ve seen he seems to play the Bm, A and then play F#m followed by G, with the chord base on the A string: e|-9--10-| B|-10-12- G|-11-12- D|-11-12- A|-9--10-| E|-------| Have a play around and see what sounds better, idk Post-break it sounds like Mikey plays some pitchbends somewhere, but I haven’t worked out where (most likely following the main guitar phrase). After 16 bars he starts tremoloing: Mikey’s second bit e|--------------------------------|-------| B|-12tr///17tr///10tr///14tr/15tr///17tr- G|---------------------------------------| D|---------------------------------------| A|---------------------------------------| e|--------------------------------|-------|| This continues until the end of the breakdown(?), where Adam starts playing the main phrase again and Mikey plays single notes: Mikey’s outro: e|--------------------------------| B|-12~//17~//10~//14~//15~~//17~~- G|--------------------------------| D|--------------------------------| A|--------------------------------| E|--------------------------------||