La Grange

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~From: * (Mike Hoffman) ~Subject: TAB: LaGrange (Rhythm only) Here is how I play the rhythm part of LaGrange. Our other guitarist does the lead, so I've never bothered to learn it (and therefore haven't included it :-) Picking style is key to the percussive sound of this piece. Under each section I have placed the following symbols: ^ indicates picking with an upward motion v indicates picking with a downward motion With a little practice, you can get a smooth up/down pattern esatblished, and it stays the same throughout the song. LaGrange
(clean sound) ----------------------|----------- ----------------------|----------- -------2--2--2--2--2--|.-2----2--- ----2--2--2--2--2--2--|.-2-2--2-4- ----0-----------------|----0----0- ----------------------|----------- -|---------------------| -|---------------------| -|-2-4--2--2--2--2--2-.| -|-2-2--2--2--2--2--2-.| -|---------------------| -|---------------------|
v ^ ^ ^ ^ ^ ^ v ^ v ^ v ^ ^ ^ ^ ^
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occasionally playing it this way to emphasize the words:
---------------------------------- ---------------------------------- ---2----2----2----2--2--2--2--2--- ---2----2----2-2--2--2--2--2--2--- -----3----5----0------------------ ----------------------------------
^ v ^ v ^ v ^ ^ ^ ^ ^ Then after 'They got a lot o' nice girls' comes the break. Resume playing the same as above with heavy distortion:
----------------------|----------- ----------------------|----------- -------2--2--2--2--2--|.-2----2--- ----2--2--2--2--2--2--|.-2----2--- ----0-----------------|----3----5- ----------------------|----------- -|---------------------| -|---------------------| -|-2----2--2--2--2--2-.| -|-2-2--2--2--2--2--2-.| -|---0-----------------| -|---------------------|
v ^ ^ ^ ^ ^ ^ v ^ v ^ v ^ ^ ^ ^ ^ Keep repeating the part in between |: :| during the second verse, then after 'I might be mistaken', switch to:
----------------------------|--- ----------------------------|--- ----------------------------|.-- ----10-10--10--10--10--10---|.-- ----10-10--10--10--10--10---|--- ----------------------------|--- -|----------------------------------- -|----------------------------------- -|---8--8-10--10--------------------- -|10-8--8-10--10-10--10--10--10--10-- -|10-------------10--10--10--10--10-- -|----------------------------------- -----| -----| ----.| 10--.| 10---| -----|
v ^ ^ ^ ^ ^ ^ v ^ v ^ v ^ ^ ^ ^ ^ Then, during the guitar solo, keep playing the above section between |: :| When the solo comes to an end, this is the pattern and the break:
--------------------------------- --------------------------------- --------------------------------- ----10-10--10--10--10--10-----10- ----10-10--10--10--10--10-----10- --------------------------------- -|--------- -|--------- -|8--8-10-- -|8--8-10-- -|--------- -|---------
v ^ ^ ^ ^ ^ ^ v ^ v
|-------5---5---5-----5---5---5- |------------------------------- |.------------------------------ |.--4/5---5---5---3/4---4---4--- |------------------------------- |------------------------------- ||----5---5---5----------------| ||-----------------------------| ||--------------------------2-.| ||2/3---3---3---------------2-.| ||----------------0--0--3h4----| ||-----------------------------|
(I usually play the D string with my pick and the E string with my middle finger. You can, of course, play both with your pick) clean part (same as the very first section). Play it 4 times, hit the distortion, and play the same as the first verse until the fade... Have fun, MH++
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Michael J. Hoffman, Mfg. Eng. Encore Computer Corporation * 100 N. Babcock Street TEL: (407)255-8116 FAX: (407)255-8195 Melbourne, FL 32935 "It's called reality, check into it." - David Spade, Commentary, SNL News
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Slaven Reziæ (Tomiæ) IPA: /'slavEn 'Re:ziC 'tOmIC/ email: *
www: srt
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Composición: Billy Gibbons, Dusty Hill, Frank Beard, Bernard Besmam, Frank Lee Beard, Joe Michael Hill y John Lee Hooker

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