I Write Sins Not Tragedies

Panic! At The Disco

  • Am
  • Am6
  • D
  • Dm
  • F
  • F/C
  • G
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Key:
Intro E|-------------------------------- B|-------------------------------- G|--------5-----4---------5-----4- D|-----2-----2---------2-----2---- A|--0---------------0------------- E|-------------------------------- E|---------------------------------- B|---------------------------------- G|--------5-----4---------5-----4--- D|-----2-----2---------2-----2------ A|--0---------------0--------------- E|---------------------------------- E|------------------------------- B|--------3------------------3--- G|-----5------5--4--------5------ D|--4------------------4--------- A|------------------------------- E|------------------------------- E|------------------------------------------| B|------------------------------------------| G|5--4--------4--5--4--5--------4--5--4--5--| D|---------3-----------------3--------------| A|------------------------------------------| E|------------------------------------------|
Am Oh, well imagine, as I'm pacing the pews in a church corridor,
Am6 and I can't help but to hear, no I
F can't help but to hear an exchanging of words:
Am "What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter.
Am6 "Yes, but what a shame, what a
F shame, the poor groom's bride is a whore."
Am F/C I'd chime in with a "Haven't you
Dm G Am people ever heard of closing a goddamn door?!"
F/C Dm No, it's much better to face these
G kinds of things with a sense of poise and rationality.
Am F/C Dm I'd chime in, "Haven't you
G Am people ever heard of closing a goddamn door?!"
F/C Dm No, it's much better to face these
G kinds of things with a sense of...
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Am Well in fact, well I'll look at it
Am6 this way, I mean technically our marriage is saved
F Well this calls for a toast, so pour the champagne
Am Oh! Well in fact, well I'll look
Am6 at it this way, I mean technically our marriage is saved
F Well this calls for a toast, so pour the champagne, pour the champagne
( F G F D )
Am F/C I'd chime in with a "Haven't you
Dm G Am people ever heard of closing a goddamn door?!"
F/C Dm No, it's much better to face these
G kinds of things with a sense of poise and rationality.
Am F/C Dm I'd chime in, "Haven't you
G Am people ever heard of closing a goddamn door?!"
F/C Dm No, it's much better to face these
G kinds of things with a sense of...
F G F D Poise and rationality
F G F D Again...
Am F/C I'd chime in with a "Haven't you
Dm G Am people ever heard of closing a goddamn door?!"
F/C Dm No, it's much better to face these
G kinds of things with a sense of poise and rationality.
Am F/C Dm I'd chime in, "Haven't you
G Am people ever heard of closing a goddamn door?!"
F/C Dm No, it's much better to face these
G kinds of things with a sense of...
F G F D Poise and rationality
F G F D Again...
Song details

Composition: Ryan Ross, Spencer Smith, and Brendon Urie

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