Introduction: These are the chord shapes -- listen to a recording for timing and strumming information. D D A D H-O H-O E|------------------------------------| B|-------------------10---7---5-------| G|---------------7---7----7---6---7---| D|----------7-9------7----7---7---7---| A|-----7-9------------------------9---| E|--10--------------------------------| Repeat as necessary for intro. Then A D (x4) Then repeat Introductory sequence... Back to A D, until this part (again, listen to a recording for timing information and when it comes: E|-----------------------| B|--10--9--10--9--10--9--| G|---7--7---7--7---7--7--| D|---7--7---7--7---7--7--| A|-----------------------| E|-----------------------| then noodle on D... E|------------------------| B|--10--9--10--11--10--9--| G|---7--7---7--12---7--7--| D|---7--7---7--13---7--7--| A|------------------------| E|------------------------| Repeat twice... Then back to the main lick, then A > D, the last time ending with a D chord on the second fret (basic D chord). Then comes the distortion, and the progression changes to a D C D C G > F one (See below)... listen to the recording for timing. This is the solo Trey does on Lawn Boy.. every time I think he noodles around with it a little. ~~~~~ ~~~~~ ~~ E|---------------------------5-4-3-----------------------| B|------------------------(3)------3---3-5-3-5^(7)-------| G|----------------------(2)----------4-------------------| D|-------------------------------------------------------| A|---5------3-------5------------------------------------| E|-------------------------------------------------------| Palm muting... E|-------------------------------------------------------| B|--5^(7)-5-3-------------------------------5^(7)-5-3----| G|-------------2-2-2-2-2-2-2-2-2-2-2---------------------| D|-----------------------------------4-------------------| A|-------------------------------------------------------| E|-------------------------------------------------------| E|----------------5^(7)----------------------------------| B|-----------------------------------5^(7)-5-3-----------| G|--2-2-2-2-2-2-2-------2-2-2-2-...2------------2--------| D|-------------------------------------------------------| A|-------------------------------------------------------| E|-------------------------------------------------------| E|--------------------------5^(7)----5^(7)-5-2-----------| B|---------3-5-5-5-3---3-----------------------5-3--3----| G|----2-4------------4----------------------------4------| D|--4----------------------------------------------------| A|-------------------------------------------------------| E|-------------------------------------------------------| E|---------------| B|-15^(17)-15----| G|------------14-| D|---------------| A|---------------| E|---------------| Then: Rake Fast!!! .................... E|---15---15--------15--14--13--12--7--6--5--4--3---0------| B|--13-------13---15--14--13--12--7--6--5--4--3--2--0------| G|-14-----------------------------------------------0------| D|--------------------------------------------------2------| A|--------------------------------------------------2------| E|--------------------------------------------------0------| ..Into the JAM!! Em > D Here's a little lick that Trey did at Shoreline in 1995 at the start: (Thanks to Mike Flouton) E|--------------------------------------------------------| B|-12h13-11h12------10------------------------------------| G|-------------9h11----12-11-10-9-8-7-----7-9-------------| D|------------------------------------8h9-----9p8p7-------| A|--------------------------------------------------9p8p7-| E|--------------------------------------------------------| After the Climax of the jam, it cools down but maintains the same Em > D progression. Trey might noodle over it a little, then goes into the words : Rai rai Rocko (?) Marco Esquandolas (?) Been you to have any spice/spike mon? (?) A heavy C chord makes for the transition to the next part: D C D C G > F (loud!) I like to play the G > F chords as such: G F E|--------------| B|-----8-----6--| G|-----7-----5--| D|-----9-----7--| A|----10-----8--| E|--------------| Though I'm sure most people will stick with the barre chord shapes. For this part, I can't decide which one sounds better / works better - the C chord or the Am or the Am7 chord. They're all very closely related, Am being the sixth of C. Play it however you like, I suppose D / Am7 Run Run Run Run Run Run Run Run/Run Run Run Run Run Run Run Run D / Am7 Run Run Run Run Run Run Run Run/Run Run Run Run Run Run Run Run