Williamsburg Will Oldham Horror
Jeffrey Lewis
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Key:
A Today I went to Major Matt's toC G remaster my old albumA And on the L train in the morning,C G I was pretty sure I saw Will OldhamA He was wearin' the same sunglassesC he had on stage at the BoweryG BallroomA Had he come to walk among theC G Williamsburgers of his kingdom?A And like the burghers of CalaisC G will a sacrifice be demandedA To offer up our dreams and beg forC G mercy empty-handed?A And hapless in our hipness crowdedC G 5 to an apartmentA Relegate our dreams to hobbies andC G deny our disappointmentA 'Cause The Stones in '65 want totalC G satisfaction, kidA But The Stones in '69 see grace inC G just getting what you needA But if that's a victory, then I'dC hate to see what I'd look likeG defeatedA 'Cause I know there are those walkC among us who seem to get theirG dreams unimpeded [Verse]A Like, today I went to Major Matt'sC G to remaster my old albumA And on the L train in the morning,C G I was really sure I saw Will OldhamA He was wearin' the same sunglassesC he had on stage at the BoweryG BallroomA Had he come to walk among theC G Williamsburgers of his kingdom?A And you might say now there's a guyC who seems to have their world laidG out before himA Or you might say, he's just a richC G kid or a fascist or a charlatanA But either way you say it if youC look at indie-rock culture youG really can't ignore himA And even if at first dismissive,C G after some listens you'll enjoy himA I was thinking this on the L train,C G intent on bursting my own bubbleA How long should an artist struggleC G before it isn't worth the hassle?A And admit we aren't fit to be theC G one inside the castleA Is this quest for greatness or atC G least hipness just a scam and too much trouble?A But then what makes on human beingC G worthy of an easy rideA Born to be a natural artist youC G love or hate but can't denyA While us minions in our millionsC G tumble into history's chasmA We might have a couple of laughsC G but we're still wastes of protoplasm [Verse]A Like, today I was gonna waste someC time and money to remaster someG dumb old albumA And on the L train in the morning,C G i was really sure I saw Will OldhamA He was wearin' the same bigC sunglasses he had on stage at theG Bowery BallroomA Had he come to see the strife hereC G in the gutters of his kingdom?A Where us noble starving artists areC G striving hard to feed our egosA Our mothers like our music our ourC G friends come see our showsContinues after the adA And if our friends becomeC successful, we'll consider them ourG foesA Go home to our four roommates afterC G payin' big bucks for rockstars' showsA What a nightmare! What a horror! IC G don't want no part of thisA Get me off this crazy ride! I'mC G gonna puke, I'm gonna piss!A I'd rather kill myself I'd ratherC G just relax or not exist!A But you say you wanna do an e-mailC interview? Oh what the heck, IG can't resist!A Hey ma, guess what? Today I didC G another magazine interview!A "Honey, that's great, you're reallyC famous!" Yeah and I'm twenty sevenG too!A I kinda thought I was gonna grow upC to do stuff that would benefitG humanityA But it's getting harder to tell ifC this artist's life is evenG benefiting me [Verse]A Cause today I was gonna waste someC time and money today to remasterG some dumb old albumA And on the L train in the morning,C G I was totally sure I saw Will OldhamA He was wearin' the same bigC sunglasses he had on stage at theG Bowery BallroomA And since I was feeling in need ofC answers I just went right up andG asked him, I saidA "Will Bonnie Prince, Palace orC G whatever, what do you think about it?A Is it worth being an artist or anC indie-rock star, or are you betterG off without it?"A Cause you know maybe the worldC would be better if we were all justG un-creative dronesA No dead childhood dreams to hauntC G us, a decent job, a decent homeA And if we had some extra time weC could do real things to promoteG peaceA Become scientists or historyC teachers or un-corrupt police atG leastA "Come on Will, you gotta tell me!"C G I grabbed and shook him by the armA The L train was leaning BedfordC G with 10,000 white twenty-somethings crowed onA He opened his mouth to speak but itC was lost in the rumbling of theG wheelsA We were thrown together in a cornerC and I yelled "Tell me, man, forG real!"A You're living comfortably, IC assume, even if you're not quite aG household nameA You've reached a pretty high levelC G of success and critical acclaimA The L train got to First Avenue andC G a bunch of people piled outA I was staring into his sunglassesC G and I was really freakin' out, I was likeA C Steamboat Willie Bonnie Prince ofG all this shit,A You're like the king of a certainC G genre but even you must want to quitA Like if you hear a record by BobC G Dylan or Neil Young or whateverA You must start thinkin' "Yeah,C people like me, but I won't be thatG good ever"A And I'm sure the thing is probablyC G Dylan himself tooA Stayed up some nights wishing heC G was as good as Ginsberg or CamusA And he was like "Dude, I'm such aC faker, I'm just a clown whoG entertainsA And these fools who pay for myC G crap, they just have pathetic puny brainsA And Camus probably wished he wasC Milton too or whatever, you knowG what i'm sayin'?!"A So Will, will you be straight withC me now that it's just us two onG this train? [Verse]A 'Cause I was gonna spend some timeC and money today to remaster someG dumb old albumA And I saw you here on the L trainC and I was like "Hey, is that WillG Oldham?"A He must at least have someC perspective cause it's like, livingG in this townA I get so confused and wound up andC uptight and I just don't know upG from downA And then we'd reached the last stopC G and the subway was desertedA There was a long moment of silenceC G and I let go of his shirtA I started to think that maybe I'dC G made some kind of big mistakeA I tried to walk out onto theC G platform but by then it was too lateA His sunglasses seemed to growC G darker and still he hadn't even spokeA He just came right up behind me andC G put his hands around my throatA And threw me down onto the concreteC G and kicked my face in with his bootA And dragged me down onto the trainC tracks and tied my hands back withG his coatA And I was slipping out ofC consciousness as he was slippingG down my jeansA And he was punching me and humpingC G me and I slipped off into a dreamA So it might have just been aC delusion but I thought I heard himG sayA Something like, "Artists areC pussies" then he climbed back upG and ran away [Verse]A So I lay there in the darkness onC G the train tracks cold and brokenA The hours passed and I thoughtC G "well, maybe I won't remaster that old album"A And then I started thinking maybeC G it really wasn't even Will OldhamA Even though he did hold my arms andC fuck me just like Will sings in "AG Sucker's Evening"A But whether it was him or not IC couldn't forget the words he'dG spokenA "Artists are pussies," like, we'reC G wusses or we end up getting fuckedA And other kinds of folks are dicks:C tall, smart and strong and born toG fuck us upA C I know it sounds really sexist andG stupid, It's a terrible analogy.A But at that moment on the trainC G tracks, it made a lot of sense to meA Maybe it's just some kind ofC natural balance, like 2 types ofG mental genderA That's gone on in all societies inC G one form or another,A Like some dicks were born toC conquer, I probably would if IG could,A But if I'm just a pussy, that'sC okay, 'cause in a few months maybeG A I'll put out something good