Williamsburg Will Oldham Horror

Jeffrey Lewis

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Key:
A Today I went to Major Matt's to
C G remaster my old album
A And on the L train in the morning,
C G I was pretty sure I saw Will Oldham
A He was wearin' the same sunglasses
C he had on stage at the Bowery
G Ballroom
A Had he come to walk among the
C G Williamsburgers of his kingdom?
A And like the burghers of Calais
C G will a sacrifice be demanded
A To offer up our dreams and beg for
C G mercy empty-handed?
A And hapless in our hipness crowded
C G 5 to an apartment
A Relegate our dreams to hobbies and
C G deny our disappointment
A 'Cause The Stones in '65 want total
C G satisfaction, kid
A But The Stones in '69 see grace in
C G just getting what you need
A But if that's a victory, then I'd
C hate to see what I'd look like
G defeated
A 'Cause I know there are those walk
C among us who seem to get their
G dreams unimpeded [Verse]
A Like, today I went to Major Matt's
C G to remaster my old album
A And on the L train in the morning,
C G I was really sure I saw Will Oldham
A He was wearin' the same sunglasses
C he had on stage at the Bowery
G Ballroom
A Had he come to walk among the
C G Williamsburgers of his kingdom?
A And you might say now there's a guy
C who seems to have their world laid
G out before him
A Or you might say, he's just a rich
C G kid or a fascist or a charlatan
A But either way you say it if you
C look at indie-rock culture you
G really can't ignore him
A And even if at first dismissive,
C G after some listens you'll enjoy him
A I was thinking this on the L train,
C G intent on bursting my own bubble
A How long should an artist struggle
C G before it isn't worth the hassle?
A And admit we aren't fit to be the
C G one inside the castle
A Is this quest for greatness or at
C G least hipness just a scam and too much trouble?
A But then what makes on human being
C G worthy of an easy ride
A Born to be a natural artist you
C G love or hate but can't deny
A While us minions in our millions
C G tumble into history's chasm
A We might have a couple of laughs
C G but we're still wastes of protoplasm [Verse]
A Like, today I was gonna waste some
C time and money to remaster some
G dumb old album
A And on the L train in the morning,
C G i was really sure I saw Will Oldham
A He was wearin' the same big
C sunglasses he had on stage at the
G Bowery Ballroom
A Had he come to see the strife here
C G in the gutters of his kingdom?
A Where us noble starving artists are
C G striving hard to feed our egos
A Our mothers like our music our our
C G friends come see our shows
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A And if our friends become
C successful, we'll consider them our
G foes
A Go home to our four roommates after
C G payin' big bucks for rockstars' shows
A What a nightmare! What a horror! I
C G don't want no part of this
A Get me off this crazy ride! I'm
C G gonna puke, I'm gonna piss!
A I'd rather kill myself I'd rather
C G just relax or not exist!
A But you say you wanna do an e-mail
C interview? Oh what the heck, I
G can't resist!
A Hey ma, guess what? Today I did
C G another magazine interview!
A "Honey, that's great, you're really
C famous!" Yeah and I'm twenty seven
G too!
A I kinda thought I was gonna grow up
C to do stuff that would benefit
G humanity
A But it's getting harder to tell if
C this artist's life is even
G benefiting me [Verse]
A Cause today I was gonna waste some
C time and money today to remaster
G some dumb old album
A And on the L train in the morning,
C G I was totally sure I saw Will Oldham
A He was wearin' the same big
C sunglasses he had on stage at the
G Bowery Ballroom
A And since I was feeling in need of
C answers I just went right up and
G asked him, I said
A "Will Bonnie Prince, Palace or
C G whatever, what do you think about it?
A Is it worth being an artist or an
C indie-rock star, or are you better
G off without it?"
A Cause you know maybe the world
C would be better if we were all just
G un-creative drones
A No dead childhood dreams to haunt
C G us, a decent job, a decent home
A And if we had some extra time we
C could do real things to promote
G peace
A Become scientists or history
C teachers or un-corrupt police at
G least
A "Come on Will, you gotta tell me!"
C G I grabbed and shook him by the arm
A The L train was leaning Bedford
C G with 10,000 white twenty-somethings crowed on
A He opened his mouth to speak but it
C was lost in the rumbling of the
G wheels
A We were thrown together in a corner
C and I yelled "Tell me, man, for
G real!"
A You're living comfortably, I
C assume, even if you're not quite a
G household name
A You've reached a pretty high level
C G of success and critical acclaim
A The L train got to First Avenue and
C G a bunch of people piled out
A I was staring into his sunglasses
C G and I was really freakin' out, I was like
A C Steamboat Willie Bonnie Prince of
G all this shit,
A You're like the king of a certain
C G genre but even you must want to quit
A Like if you hear a record by Bob
C G Dylan or Neil Young or whatever
A You must start thinkin' "Yeah,
C people like me, but I won't be that
G good ever"
A And I'm sure the thing is probably
C G Dylan himself too
A Stayed up some nights wishing he
C G was as good as Ginsberg or Camus
A And he was like "Dude, I'm such a
C faker, I'm just a clown who
G entertains
A And these fools who pay for my
C G crap, they just have pathetic puny brains
A And Camus probably wished he was
C Milton too or whatever, you know
G what i'm sayin'?!"
A So Will, will you be straight with
C me now that it's just us two on
G this train? [Verse]
A 'Cause I was gonna spend some time
C and money today to remaster some
G dumb old album
A And I saw you here on the L train
C and I was like "Hey, is that Will
G Oldham?"
A He must at least have some
C perspective cause it's like, living
G in this town
A I get so confused and wound up and
C uptight and I just don't know up
G from down
A And then we'd reached the last stop
C G and the subway was deserted
A There was a long moment of silence
C G and I let go of his shirt
A I started to think that maybe I'd
C G made some kind of big mistake
A I tried to walk out onto the
C G platform but by then it was too late
A His sunglasses seemed to grow
C G darker and still he hadn't even spoke
A He just came right up behind me and
C G put his hands around my throat
A And threw me down onto the concrete
C G and kicked my face in with his boot
A And dragged me down onto the train
C tracks and tied my hands back with
G his coat
A And I was slipping out of
C consciousness as he was slipping
G down my jeans
A And he was punching me and humping
C G me and I slipped off into a dream
A So it might have just been a
C delusion but I thought I heard him
G say
A Something like, "Artists are
C pussies" then he climbed back up
G and ran away [Verse]
A So I lay there in the darkness on
C G the train tracks cold and broken
A The hours passed and I thought
C G "well, maybe I won't remaster that old album"
A And then I started thinking maybe
C G it really wasn't even Will Oldham
A Even though he did hold my arms and
C fuck me just like Will sings in "A
G Sucker's Evening"
A But whether it was him or not I
C couldn't forget the words he'd
G spoken
A "Artists are pussies," like, we're
C G wusses or we end up getting fucked
A And other kinds of folks are dicks:
C tall, smart and strong and born to
G fuck us up
A C I know it sounds really sexist and
G stupid, It's a terrible analogy.
A But at that moment on the train
C G tracks, it made a lot of sense to me
A Maybe it's just some kind of
C natural balance, like 2 types of
G mental gender
A That's gone on in all societies in
C G one form or another,
A Like some dicks were born to
C conquer, I probably would if I
G could,
A But if I'm just a pussy, that's
C okay, 'cause in a few months maybe
G A I'll put out something good
Song details

Composition: Jeff Lewis

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